Happy Father’s Day to the Fathers Who Defy Patriarchy

Happy_Fathers_Day_1I once thought that I was just a weird little girl.  I have never fantasized, for instance, as a young girl or now, about the design of my wedding dress, the colors of my bridal party ensemble, the look of my imaginary husband, or location/church/flowers of my wedding (in junior high school, I decided me and Prince could be a good couple but his cross-over after Purple Rain turned me off and so I have moved on).  I do believe in celebrations but not those defined by European histories of female domesticity. I never wanted to play with a Barbie Dream House as a girl though I did have Barbies: I simply re-designed their outfits.  Poverty certainly discouraged materialism in my childhood; in contrast, creativity was inserted.  Instead of the Barbie Dream House, which we could never afford, my mother gave me cardboard and my father gave me scraps of carpet and wallpaper.  It ends up that I was, in fact, quite domestic… I made my own damn house.  Sometimes I would do a house for kids, or one for basketball players, or one for grandmothers; there was never a nuclear arrangement.   Today I realize that my girlhood was filled with alternative expectations and opportunities.

"A Father's Love" by Elliot Miller

“A Father’s Love” by Elliot Miller

My parents were divorced when I was very young so I was raised by a single mother.  Because my mother’s family disowned her after she gave birth to me, I was raised with and around my father’s very large family, a gift that I attribute to him. I have grown closer to him in my older years and, now as an adult, one of the things I realize and cherish most is that he never imposed patriarchal roles on me even though he was certainly raised in a patriarchal culture.  Today, I will set the dining room table, buy all of his dishes and glasses, recover/re-paint/re-stain/re-place his chairs and table, and I have mostly decided the furniture layout at his house. But I have never been expected to cook or wash dishes or do anything considered “woman’s work.”  My father is quite the cook so I never even equated cooking with women’s work.  Though I really like stainless steel gas ranges and have a nice one, that’s about as domestic as I get in the kitchen.   This fact leads to GREAT laughter from my father: he insists that I don’t need a fancy stove given how little cooking I do.  According to him, the only thing on my stove is dust.  He is right that my range is still newish, but there is NO dust in my house.  The way that my father delights in telling this story convinces me that he likes that I define femininity differently (i.e., buying my own home, remodeling my kitchen as my own GC, installing and deciding upon my own appliances).  In his own home, my father made a cut-out on the living room wall, like a picture frame/ plant ledge, that looks into his kitchen.  As a child, I would stand on the sofa on one side of the cut-out, peek through and talk to him as he cooked on the other side of the cut-out.  This is something that I still do now, kneeling where I once stood, always also emboldened to similarly tear down and rebuild walls in my house too.  In the summers, while he was cooking, I was outside playing softball and kickball with my childhood friend, Damon. Whenever my father did buy me things, he bought me dirtbikes, big wheels and race cars and was one of the few people who would oblige me in adorning everything in my favorite color as a child: BLUE (pink sent me into hysteria).  It didn’t occur to me until now that while he couldn’t overturn the expectations of patriarchy in his own life, he did for me.  When my female colleagues suggest that I don’t have a man because I don’t like to cook, I laugh, wonder why they have never witnessed a man cook and why their fathers let them center men in their lives.  Then my stomach starts churning when I think of who they are married to.   If I had to cook for THAT and be married to it too, wellllll, Houston, we have a problem. I’m not suggesting that cooking makes a woman domesticated, oppressed, or that it only consigns us to patriarchy; nothing is that simple.  But I am talking about imposed expectations and having a father who chose something else for his daughter.  So, on this father’s day, I am speaking as a working class black daughter: the greatest gift a father can give, the one that I received, is the rupture of patriarchal expectations.

I want the story of my father to defy a dominant cultural script. I am reminded of Denene Milner’s blog where she describes having ice cream at the mall every Friday with her father, a black man who adopted her when her biological mother left her on a doorstop; she connects that to her own husband reading The Snowy Day over and over again to his daughter at bedtime, as many times as the little girl requests.  spelhouseLove describes playing monopoly with her father, having her father always cheer for her at her track meets, and commemorating her childhood by creating an album for her that captured photos of her along with the verbal exessions she made at the time. Eric Payne at MakesMeWannaHoller.com talks about his realization that the smiles from his father have been his greatest treasures, a gift he strives to always give his own daughter.  I highlight these blogs because they might be the only media spaces where we see black men acting as fathers who know how to deeply love children and families in a world that suggests they cannot.  This seems to explain why sites like BlackAndMarriedWithKids have been so popular amongst black families since positive images and STORIES are so difficult to find.  I stress STORY here because I truly believe that you can deny a group’s humanity with the kinds of stories you tell about them.  What is told ABOUT us does not need to be what we tell ourselves though.  I am grateful for the kinds of story that I know and can tell about my father.

African Women’s Fashion Design as Rhetoric and Inspiration

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The bangles, the earrings, the intricate patterns, the textile expertise, the brilliant pops of color as THE accessory, the bold color all over and all around, the depth of brown skin tones spanning all shades, the beads encased on long necks, the necklaces draped over the shoulder or all the way down to the stomach, and then, for a grand finale, an African female designer in a self-designed African print dress takes a bow… I love all of it. I am talking here about African women designers of contemporary African fashions.

It is NOT my intent here to showcase new clothes to buy. The slideshow that opens this post (featuring some of my favorite designers) is not a shopping list. Many of these designers do sell their fashions at their websites and can be commissioned to create something for you from one of their collections. Their prices are much more reasonable, respectful, and human— in terms of human labor, skill, and textile design— than what you will see during any visit to a NYC Bloomingdale’s or Saks, neither of which are places where I ever shop.  I am interested in much more than fashion for purchase, however, when I follow contemporary African women designers.  Their work and presence are much bigger than that.  As of now, they are not so fully commodified as to represent the kind of fashion cartel like what we get with Prada and the likes.  When DBU showcased her amazing jewelry at 2011 Africa Fashion Week, the impact was not represented by exotic gems stolen from Africa (since colonialism, the utterance conflict-free diamonds, for instance, is simply an oxymoron… there can be NO such thing as a CONFLICT-FREE natural resource if it is taken from Africa.)  For DBU, it was the color, craftmanship, originality, ingenuity, and stunning impact of her jewelry that carried the day.  I would wear each item, exactly as she has them layered and paired, wearing all black clothing just so you can see the jewelry better just as she has it here:

We live in a world of colors and patterns that communicate their own histories, desires, and visions and these women designers give me a world that I like to look at and be part of.  When I watch the bodies adorned in sequin patterns in the designs of someone like Eredappa (shown below), I am as drawn to what she is communicating as I am to the graphic techniques of Mickalene Thomas with her works’ rhinestones and intricate patterns. That Eredappa attempts to mesh beadwork alongside local, Nigerian fabrics to make multidimensional design seems well aligned with how Thomas also constructs her visual world.

I especially like to follow youtube-channelers who create their own movies of the African designers that move them.  In close second to that preference are the runway shows that the designers themselves plan and execute, brilliantly showcased in the United States with Africa Fashion Week.  In both of these visual contexts, what you see are multimedia-writers telling us a story… designing us a story.  At the 2011 Africa Fashion week, Korto Momolu (fondly remembered for her time on Project Runway) especially captured design-as-its-own-story with her 2011 collection that tells the story of women’s survival during war using her home country of Liberia as muse:

Each piece in Momolu’s runway exhibit tells its own story and each piece works in specific relation to the previous and following outfits: it is the most visually rich kind of chapter-building that I can imagine.

I like to follow these designers and look at what they are up to.  They inspire me to create anew, to be bold and imaginative, to not tone myself down in a suffocating world of beige, and to rely on my own local languages and cultural expressions for contemporary structures.  This is how I plan to inspire and charge my summer.

Dr. Todd Craig Delivers Graduate Speech at 2013 Doctoral Hooding Ceremony!

Here is Dr. Todd Craig’s speech delivered at his 2013 Doctoral Hooding Ceremony on May 16, 2013 in Queens, New York.  I hope these words inspire all of us to move forward and onwards, especially all you graduate students out there dissertating/struggling towards the finish line.  

STJ keynote via BartonTo my fellow graduates, families, friends, faculty, staff and everyone who’s present with us both physically and spiritually. I will try to make my remarks as poignant but as brief as possible so we can get right to the thing we’ve all been waiting YEARS for…the hooding!!! I plan on telling one short story with three aspects that I believe will give us a sense of what our individual experiences have been and then will hopefully send us off with something to think about collectively.

So this past Monday when I went to snatch up my brand new Harry Potter wizard robes, which apparently are now called “academic regalia,” I purchased three Stoles of Gratitude. Now one would think after all the money that we’ve spent in tuition, fees and all that other good stuff, that we could really get a few Stoles for free…but I guess since we get to keep the robes, I shouldn’t complain too much. The Stoles of Gratitude are described as such: “After the ceremony, traditionally the new graduate presents the Stole of Gratitude to someone who has provided them with wisdom, guidance, and words of support or with financial assistance.” So when I read this description, I knew that I’d need to purchase three Stoles for three people who taught me some of the most valuable lessons that carried me through this doctoral experience.

The first Stole of Gratitude I got was for my dissertation chair, my mentor and my really good friend: Dr. Carmen Kynard. Believe me when I tell you, saying that Carmen Kynard is your dissertation chair and mentor only sets you up to have extremely BIG shoes to fill. When people ask me about Carmen, I say the following, and it was something I would say before I knew one of her graduate school professors had said it: “my mentor has the ability to walk on water, and I’m just blessed to be in her presence so she can show me how to do the same.” Now mind you, I believe that when it comes to my dissertation committee, I have the best that St. John’s English department has to offer. And I think we all can say that about our committee members; we believe in them just as much as they believe in us. So I truly feel that Dr. John Lowney and poet Lee Ann Brown are hands-down two of the smartest scholars and writers in the department – period! But what Carmen has done for me is truly phenomenal. She is a mentor that shows not only by the conversations you have with her, but also by her track record and by her example in practice. Her publication and conferencing output is simply oppressive to anyone who’s not comfortable in their own writing skin. And she is able to do all this, but just remain plain-ole Carmen from Toledo. Of the countless pieces of wisdom she’s shared, Carmen taught me one of the most important lessons of my doctoral career. In the darkest hour of my doctoral program – and all of us have had those very dark moments, where one movement could be the difference between sitting here at this hooding ceremony and opting out for that masters degree – in my darkest hour, Carmen stood with me. She stood with me when it was not the popular sentiment and my situation was most grave. What made this so poignant for me was the fact that Carmen wasn’t there with me in all the comforts of a full professorship. She wasn’t even an associate professor. She had no tenure. She hadn’t even completed her first year, the ink on her signature for her contract was barely dry. But even with that, she still stood with me. This allowed me to understand a valuable lesson that goes far beyond these sayings of “pick and choose your battles” or “stand for something or fall for anything.” What Carmen taught me is that when you know someone stands with the truth on his or her side, sometimes you must stand in solidarity with them…even if you’re on the plank, with sharks circling below you. There will come a point where someone is on the firing line unnecessarily; and sometimes you need to stand with that person so they can be empowered to fight and pave the path for others that must tread after them.

The second Stole of Gratitude I got was for my mom, Ruth Muchita. My mom is 84 years old, doesn’t move a day over 50, and is officially going to kill me immediately after I get hooded for telling you how old she is. However, I’m constantly celebrating her age, because my mom, as a single mother, either completely raised or had her hand in raising her three sons, me, my three cousins, and another cousin of mine. That’s 8 people…she did that alone on a New York City Social Worker’s salary in Queensbridge and then Ravenswood Housing Authority. My mom instilled in me two absolute imperatives; the first was the value of an education. But the second – and really the most paramount – was to NEVER be ashamed of who I was and where I came from. To be joyful in my own blackness, to be proud of my social and cultural upbringing, and to NEVER forget where I came from. Even in the midst of the most abject racism. Even in the midst of the most discriminatory moments of my doctoral trajectory, where professors in my own program would say very clearly: “the DA program in English here at St John’s University was just fine until Todd Craig came along.” Even in the midst of classrooms, where my colleagues would say “you cannot continue to bring the hood with you” or “why are you always talking about THAT part of Queens (you know…the projects)”, I knew that I had to be what my man DJ Clark Kent would call ATF; I had to be the “Ambassador To Fresh” for my community. After all, it was that same community that nurtured and cultivated my intellectual prowess and capability when NO ONE else believed in my potential. So with that in mind, regardless of all things, I was required to be the Ambassador To Fresh – so that my professors, my doctoral cohort and my colleagues who had skewed perceptions of urban inner-city environments, skewed perceptions of the capacity of the African-American male to achieve academic excellence and intellectual success, could finally understand just what we are capable of. So encompassing ALL THINGS FRESH meant that I was responsible for rejecting those notions of invisibility presented to us by Ralph Ellison over 50 years ago. I was responsible for representing my home from the highest hair follicle in my nappy blowout down to the super-exclusive Nike 1972 Quickstrike Shoes on my feet. But it wasn’t only just about that, it was also about how I carried myself in classroom discussions and intellectual conversations that leaked outside of the classroom; how I presented my research and scholarship yearly at national conferences; how I crafted every sentence on every published page BEFORE, DURING AND AFTER MY DOCTORAL COURSEWORK, RIGHT THROUGH TO the 256 page document called my doctoral dissertation. I was AND STILL REMAIN an ambassador – and I was only able to appreciate the gravity and significance of that role based on my community, on Clark Kent’s ATF mentality…and really and truly based on my mom, and her lessons in telling me to NEVER forget who I was or where I came from.

20130516_194940The third Stole of Gratitude I purchased is for my fiancé, Stefanie Douglas. We have been together for almost 8 years, I’m pretty sure that’s considered being legally married in a number of different Commonwealth states. We also share the responsibility of raising our extraordinary daughter Kaylee together. I haven’t shared this story too often, but I will share it with all of you now. Stefanie was a returning student and became pregnant with our daughter while she was still in school. Once Kaylee was born in June, Stefanie still had to complete one last semester to fulfill her degree requirements. So we spent the summer together as a family. And then the time came in late August where Stefanie had to return to school – to actually complete a semester of student teaching. So Stefanie would go to student teaching in Bensalem, PA from Monday to Friday. Then on Friday, she would get in her car and drive up to New Jersey to spend the weekend with me and Kaylee, who was an infant at the time. And then on either Sunday night or early Monday morning, Stefanie would drive back to Bensalem, and continue through a week of student teaching. Now many people said “Todd, you’re an amazing father – you’re taking care of Kaylee by yourself during the week.” But my response to that is Stefanie is even more of amazing mother. Because to this day, I still do not know how she was able to muster enough mental and emotional dexterity to leave her newborn daughter. And mind you, there were tears and crying and all sorts of emotion that can ONLY be explained by the saying “there is NO greater love than that of a mother for her child.” But I never told Stefanie how much I admired her, how much she was my hero and role model for being able to make it through those darkest of times. I never told Stefanie about the times me and Kaylee cried when she wasn’t looking. I never told her about how tough it was for us, that she wasn’t alone. But what I learned from her in that moment is that you must be willing to make sacrifices for a greater good, regardless of what the cost may be. So what’s almost two years of collecting data at the most obscure of places in the most unorthodox and inconvenient times? What’s 6 or so months of 2-4 hours of sleep nightly to finish a dissertation? What’s a year of teaching a 5-5 course load at 3 different schools? After what Stefanie did for our daughter’s greater good, I felt empowered to be able to do just about anything. We always wanted Kaylee to understand that she stands on the shoulders of those who came before her, and that she is cut from a cloth so exquisite that people WILL be mad at her later in life. But if there is one thing Kaylee will never be able to do is say that she CAN’T do something. After all, if mommy was able to leave you during the week to finish school, you can do ANYTHING. Things might be hard, they might be difficult – you may not fully understand HOW to do something…but never will she be able to say she CAN’T do it. Because sacrifices have been made for her greater good, so that she could absolutely do it, without any question whatsoever.

So three Stoles of Gratitude to commemorate three valuable lessons: when you know the truth is on your side, stand with a person in crisis, and empower them to fight on for others that will come after them. NEVER be ashamed of who you are and where you might come from. And be willing to make sacrifices for a greater good, regardless of what the price tag may be. These lessons are not new nor innovatively profound. But they are paramount for all of us to reflect upon yet again. As we progress into fields of teaching and research, whether for educational purposes, corporate America or your friendly neighborhood NPO, these lessons remain priceless and should be revisited as we move forward; for as we sit here in this new academic regalia, somehow someway, someone has done one of these things for you to make your life easier. I believe that part of our job now should be to return that favor given to us by giving a favor to someone else who might be in the position we were in a year or two or five or ten or twenty years ago…especially if that is the crucial moment that moves someone past the idea of “Masters degree” and into the realm of “Doctorate.”

I think that I can comfortably speak on behalf of all my colleagues in this room when I extend my thanks to all of our families, friends, committee members, professors and mentors who have seen us through this process. I also think I can comfortably state that we will do our best to allow your legacies to flourish properly. Finally, I want to apologize to all of you in advance – when I’m called to be hooded, I’m bringing my daughter with me, so please excuse any time delay that may cause.

Thanks for your time and your listening ear; enjoy this moment called our doctoral hooding; congratulations to everyone who has made it to this moment – and be sure to reach back to someone so they can make it to this moment too.

Impact of Aja Monet: “Is That All You Got”

Last week in class, we finished unit six.  In that unit, I asked students to hear, see, and draw a line of connection between black women in 1970s Black Power Struggles, Black Arts Movement, and contemporary spoken word artists.  I received an email one night from one of my beloved students, Karina, who asked that I include what she saw as one of Aja Monet’s most impactful poem, “Is That All You Got?,” in the list of Monet poems that I offered.  Here is that poem:

I was actually introduced to Aja Monet, the youngest national poetry slam winner, through my students, not through New York City’s poetry events.  I can honestly say that I have never had a class of young people where someone did not know Monet’s work and this spans quite a few years of my teaching now.  I am only now realizing that Aja Monet ‘s words and visions visit my classroom in each semester that I teach undergraduates.  It speaks to me about what Monet is speaking to these young black men and women.  In fact, Karina’s one request as a high school graduation gift was Monet’s book of poetry, a book I have now added to my own shelves. There are certainly a set of go-to essays and other texts that re-circulate back into my classroom and I know now to add Monet’s poetry to this set.

I have listened to this poem over and over this weekend, hoping to hear my students better.  Mainly what I hear now is that they have been through some things, are looking back on it, and are seeing just how and why they are going to make it through because as Monet puts it: “Is that all you got? What the f**k is you broken for?” It’s a reminder that I am also thankful for.