eBlack Archiving and Pedagogy

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don’t know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That’s what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say ‘people,’ that’s what I mean.

~Toni Morrison

If I had to define what AfroDigital texts look like and do, I would re-mix Morrison’s arguments above and include issues of digital composing and design.  I am drawn to her singular goal of offering an unapologetic, self/community-determined right to think, imagine, and create with and for black communities.  An AfroDigital pedagogy would seem closely related.

I’ll start here by wondering/wandering about the intellectual, textual community that digital texts can  provide.  I mean something beyond (for now, at least) the seemingly endless experimentations in classrooms with new technologies as if the experimentation itself is the pursuit of knowledge, a rigorous theory of new media, or the creation of socially critical or meaningful action.  I have seen enough youtube videos online made by young people, often for their classes, that deploy quite ingenuous uses of technology but say nothing critical about black communities, fail to transcend the tradition of book reporting, or, at worst,  showcase dazzling multimedia tools about nothing.  I love when these kind of tech-creative projects are done by 11 and 12 year old students but when the creators are college students, I have some questions, to say the least.

So I am not talking about digital products as the sole marker of an AfroDigital pedagogy.

I am also not talking about the replacement of books and articles since nothing of the sort would be true of my own life.  The reading that I do on blogs and other websites does not replace the reading that I do in books and articles, some of it online/e-Book and some not. Nevertheless, I still believe that it is simply no longer enough for a group of students to connect with one another in classroom dialogues or via online discussions alone.  Nor is it enough to simply read a book outside of the digital universe that can give vision and audio-dimension to the text. We need to contextualize the world of ideas as part of the digital life that many students already have.  For an AfroDigital pedagogy, I am talking about the creation of a fierce, eBlack mini-archive that complements each of our classes.

While students certainly have access to more information and knowledge about black communities and their histories than ever before,  I see no evidence of a greater understanding of power, race, and culture today than 20 years ago when I first began teaching when there was no such thing as google, iTunes, or widespread use of DVDs.  I don’t expect this understanding from young people since this is the reason, after all, that they are in my classes.  However, to talk about the unlimited exchange of knowledge that can be found online severely miseducates students.  A google search, for instance, is as coded by money, power, and access in relation to whom and what gets listed, not unlike previous power dynamics that determined whose books/nations made it into a library or printing press.

When I want to link course content to various websites and videos, I clearly need to know that content first in order to sift through the options.  For instance, I wanted to build connections for my university program to current scholars’ counter-standardization and counter-testing movements in New York by locating politically challenging video-presentations.  I had to know first to look for Pedro Noguera and Michelle Fine because what I got before including their names in my search was inane, at best, and racist, at worst.  What about our students who do not know Fine and Noguera as critical, radical thinkers and educational activists?  Do we assume they will find these sites and people on their own because the internet is so amazing in the way it equalizes information-gathering from multiple perspectives?  Do we assume the internet is so highly interactive and engaging to young people that students will automatically do the work of sifting to find radical nooks and corners?  Do we assume they will know, in the example above, to follow the NYCLU on twitter to see the latest activist work they are doing in and for schools?   And if they are following NYCLU on twitter, is that the beginning and end, the creme de la creme, of their intellectual work? I say no on all this.

Do we just include a link on a syllabus (or classroom text) or pull up a video in class where oftentimes, like in the case of the panel which hosted Noguera and Fine, contending for our attention, are comments from racist whites about how and why they refuse to send their white children to schools with the poor and dumb black kids in the district?  After all, isn’t this what digital spaces allow— free exchange of ideas we may not get otherwise?  I say no on all that too.

I can’t afford to assume that our digital universe readily provides access to students to fully humanized representations of black communities.  I can’t assume that the most race-critical perspectives have been digitized and easily located for them.  I can’t ever assume that students’ possession of a new technological toolkit means that students have a radical or culturally-relevant use of it. So as I plan my class this fall, I am mindful about one, important use of my own website: to gather up and (re)present digital texts as a mini, eBlack archive so that my students and I can focus, think, be, do, and listen better to the black communities we are learning about.

When I first began using the term, AfroDigitized, in 2005, I had not heard the 2001 “The Shrine” album compiling a variety of artists from Africa forging what they call futuristic and future sounds of the Motherland.   After now hearing that album, I like the term even more as well as this notion of looking and listening digitally to the future, as if it were already here, rather than assuming that we have now is enough. These realizations, at least for me, are small but necessary first steps toward an AfroDigital Pedagogy.

 

“Beyond Miranda’s Meanings”: My First Two Lessons

As an undergraduate student in her classes, I once witnessed Professor Sylvia Wynter receive notification of an award that she quite forthrightly declined.  This is something that she has done many times in her career, as far as I can tell, if the award and its circle of privilege did not represent the social-intellectual work she was doing or believed in.  As a 21-year old, I simply thought she was FIERCE with an audacity that just awed me!   And while I assumed I knew the weight and integrity of the kinds of decisions she was making, I really had no clue.  It is only now that I am also a professor that I have reached some level of new understanding.

I suppose I think about Professor Wynter and this moment so much now because her ideological stance is so far removed from the decisions that I see most other bourgeois professionals making.  And while this issue of declining an award might seem like a trite issue in comparison to what her scholarship achieves, such a stance seems, indeed, part of how and why she does that scholarship.

Lesson #1

There is the obvious, main lesson that I learned from Professor Wynter: that scholarship and research matter, that the ideas and knowledge we pursue do real work and have material effect in marking out the systems in which we live.  There is a whole continuum where we can imagine new social possibilities or we can impose more limitations.  This rather basic lesson is not necessarily a foregone conclusion.  I think of a graduate student who once asked me for advice on what was the minimal amount of thinking and work she could do in order to receive her doctoral degree.  She insisted that she had no desire to do research or scholarship and that she just needed the degree to get a full-time job at the community college where she was working.  I didn’t have any answer for her and was too stunned, quite honestly, to come up with anything.  I wish I could say this was the first time I had heard something like this from a graduate student.  I found myself, at that very moment, trying to imagine myself and my peers stepping into Professor Wynter’s office as 19-year olds (or any professor) and telling them that we just wanted to do the least amount of work possible, that we had no intention of pursuing research, that we just wanted a job.  Why would we have even taken her classes if that were our only motivations?  I am reminded here of the volume sponsored by the American Anthropological AssociationRacism in the Academy: The New Millennium. One of the volume’s contributors argues that my generation and those who are coming behind me treat becoming a professor like they are just getting another professional certificate or license rather than wanting to do the work of thinking.  It’s a harsh statement that certainly does reflect many of us at this point in the history of the academy (albeit I think the scholar tends to regard his own generation more positively than he should).  Because university teaching confers a greater deal of prestige than, let’s say K-12 teaching, I see many opting for university teaching but without the concomitant focus on research and writing (this is not to suggest that k-12 teachers do not do research and write since I know many k-12 teachers who certainly do and I certainly did also; it’s just that tenure expectations aren’t nested to publication like at universities).   Given the debt that families and young people are incurring for a college education today, it seems there are, in the least, some ethical questions here.   What might it mean for students to sit in classrooms where someone like the graduate student who I just described is responsible for their learning while having not fully committed to her own learning of the content she is disseminating?  I find myself more frequently these days thinking back to my favorite mantra from Professor Wynter’s classes: Nothing is ever simple. There is always an idea behind it.  The value and purpose of relentlessly interrogating ideas, especially those that form a system of oppression for people of African descent, was the first lesson I ever learned from her.

Lesson #2

My 20-year old self understood Professor Wynter’s decline of an award as highly principled, but I did not fully understand the conscious and deliberate decision to forego the prestige-conferral ceremonies of Western education.  Even though these ceremonies are often divorced from liberatory politics and instead only offer social capital and power, those  ceremonies are very enticing for the ways they offer popularity, status, attention, monetary advancement, and upward mobility.  This is not to say that we decline all awards, that is not what Professor Wynter did, only that she always rejected any decision that would mark her as part of what Cedric Robinson has called “the selective breeding of Black intellectuals” where control of Black knowledge production has been as important to capitalism as the control of their cotton-picking production.  (Robinson reminds us, for example, that some of the most well-funded research on Black youth are basically police studies.) Racism significantly impacts who and what constitutes research on Black communities in the academy.  So while I have greatly appreciated (and agreed with) many scholars’ rage at Professor Wynter’s sometimes peripheral status in the uber-chic world of critical theory and its pre-selected critics of color, we need to still make sure that we do not forget the questions we must ask about new modes of commercialization and consumption in the academic metropole that underly popularity.  What I learned early on from Professor Wynter is that a fierce integrity on how you construct your identity as a scholar is deeply connected to its substance.  I see more and more each day how her own work and life represented the “demonic ground” that she so infamously delineated in her masterful piece, “Beyond Miranda’s Meanings: Un/silencing the ‘Demonic Ground’ of Caliban’s ‘Woman,’ ”, a way of thinking that Katherine McKittrick has brilliantly taken up in her book, Demonic Grounds: Black Women And The Cartographies Of Struggle.

In “Beyond Miranda’s Meanings,” originally published in Carole Boyce Davies’s and Elaine Savory Fido’s Out of the Kumbla: Caribbean Women and Literature, Wynter introduces the notion of “Demonic Grounds” based on theories of math and physics where a system that is in place is called demonic when it does not have an already determined or knowable outcome. This means that the methodologies and assumptions that are traditionally used to construct meaning and understanding will not work and trans-disciplinarity is required.*  She uses this notion of “demonic grounds” to represent the “absent presence” of Black women using Shakespeare’s The Tempest as a system of thinking. Instead of focusing on Caliban’s mother, as Aime Cesaire did, Wynter focuses on Caliban’s female peer, “the woman of his kind” — a woman who is so “outside of the bounds of Prospero’s world of reason that she cannot even be imagined, and so appears nowhere in the play.”  The demonic ground is, thus, a space not imagined and thereby, radical, in that it can re-position the governing, fixed codes of the social order which are presented as the only option rather than merely one option amongst many. Social transformation imagined from the demonic ground, as Wynter argues it, ushers in a new “human discourse” that goes “beyond the ‘master discourse’ of our governing ‘privileged text’, and its sub/versions.”  Wynter is, of course, exploding the role of black women in traditional constructions of feminist theory and its applicability outside of whiteness.  I now also see the ramification of her embrace of “demonic grounds” in terms of what it means to be a scholar who questions the ways that knowledge and power are maintained in the academy without getting caught up in it and, ultimately, lost in the academic sauce.

On those days when I look more like an attention-and-prestige-seeking charlatan acquiring status by chasing (usually white and male) networking gimmicks, then I too am caught up in the struggle to represent the kind of intellectual life that Professor Wynter has achieved.  But on those days that I am really being and living an alternate definition of researcher/writer/teacher/scholar than the mainstream corporatization of knowledge that the academy privileges,  that’s when I am simply representing what Professor Wynter taught us.

 

*Trans-disciplinarity here is different from inter-disciplinary or multi-disciplinary in that it calls into question the very nature of our disciplines as they maintain the logic of existing social crises, and thereby, replicate them.

Defining Intellectual Purposes

Education… Liberation… The Black Radical Tradition.  

These are all heavy ideas for me and in the context of socially stratified societies, these three processes are not necessarily easy to merge, especially in institutions like schools that often maintain oppression.  I imagine myself working here, in this space, to unravel what Education and Liberation IN and FOR and AS the Black Radical Tradition might mean, look like, and do.   This means that this blog will always be a work in progress, a place where I am trying to work out ideas and find that seemingly always fleeting piece of intellectual-political peace.

I will start with myself as a student at that moment where academic scholarship as intellectual work began to have a special, distinct meaning: as an undergraduate student in Sylvia Wynter’s classes. There was, of course, her formidable intellect and body of theory and scholarship.  I will always be reading and learning from her work.  I will always consider myself her student, still trying to grasp the concepts and ways of (re)viewing the world that she offers.  These days, as a college professor, it is also her identity as scholar and professor that impacts me, an identity more rare today in the academy than it was 20 years ago when I first met her.

I don’t intend my posts to be an ode or shrine to her where I describe how much she and her mentoring did for me— that is not intellectual work.  Instead, I want to re-immerse myself in her critical theories. C.L.R. James called Professor Wynter the most formidable intellectual the Caribbean had ever seen and she has never disappointed his assessment.  Talking about her work in terms of a personalized or individual impact would only be the kind of bourgeois intellectual project that she has always challenged in her work and life. Instead, I want to continue using Professor Wynter’s ideas to figure things out, analyze the social world in which we live, and understand more deeply the destructive corporate, liberal-to-neoliberal systems that academics put in place. That is where I will start my blogging… and see where it takes me.