Desperate Need for a Black Working Class Consciousness: The Fate of the Professional Managerial Class (PMC)

My grandmother (center, in pearls) with her 15 children and 60+ grandchildren & greatgrandchidren

My grandmother (center, in pearls) with her 15 children and 60+ grandchildren & greatgrandchidren

Anyone who knows me knows that I come from a large, working-class black family.  I am opening with that to say this: there IS such a thing as a black working class consciousness.  If you are western/ bourgeois/ academic and you need to call that statement “strategic essentialism” in order to make you feel better about your politics, then go right on ‘head, but, make no mistake about it: a black working class consciousness exists.  It is not some naturally-occurring thing; it is a socially constructed belief system, discourse, and political perspective shaped in conversation and proximity with other black people against the kind of super-exploitative, white-ruled working environments that black people must daily enter to feed and clothe their families, but also fully exit in order to maintain some humanity when they get back home.  I also open with this because it seems to me that a black working class consciousness is more important today than ever.

African American Women Welders during WWII

African American Women Welders (WWII)

I am picking up here from a previous post about the Professional Managerial Class, the PMC, as discussed by Barbara Ehrenreich and John Ehrenreich. Their point is that the PMC’s work today looks a lot like the work that the working class always did— toiling in large structures as nameless cogs in automated systems.  I want to juxtapose this change in the work that the PMC does today alongside the fact that more black college graduate students are joining this PMC than ever before.   Instead of joining the PMC as the autonomous professionals that the decades before witnessed, first-generation black college graduates today will largely work in places where their everyday work life looks a lot like what their working class parents did (whether it be the service industry or a more factory-based industry).  This is the secret that we don’t share with our college students in a college system that is promising more and more students that a college degree will get them the keys to professional status— an economic system that no longer even operates that way.

I am not suggesting that we tell students to stop becoming lawyers, doctors, engineers, nurses, and the host of other professional careers they come to college for.  What I am saying is that students will need the black working class consciousness of their elders even more in this new system that tells them they are NOT exploited workers but treats them as EXACTLY THAT!   This realization is in direct contrast to the ways that we often teach college curricula, especially college writing.  We bamboozle our students with fantastic stories about learning and entering discourse communities, academic professions, and middle class/bourgeois life and work. These are lies.  This is the way faculty, as part of the PMC, as the Ehrenreichs describe it, “rationalize” a dying system and extend current modes of capitalism.

African American Postal Workers in the 20th Century

African American Postal Workers in the 20th Century

Black working class people have always known that they were exploited; that the work that they are allowed to do is not soul-sustaining; that black men do not benefit from patriarchy’s role-making of the male breadwinner; that black women do not get to trade in homemaking/non-job life for female work subordination and privilege; that white men will not come to black women’s rescue as benevolent or non-benevolent patriarchs at work or home (even the oral traditions tell you that!  See Flossie and the Fox!); that the labor one does will not equate to monetary gain; that the labor one does will not be written into the master script as the story of what has sustained and made the nation; that white co-workers, in the same financial straits as you, will more often than not cash in on the “wages of whiteness” to falsely identify with a white elite that hates them just as much; that prisons, projects, and criminally underfunded schools are just where they put you to keep you where you are or place you somewhere when the menial jobs you once did are no longer available.  These are counter-ideological systems that I don’t think we fully situate.  I have in mind here the ways that we talk about women like Ella Baker and Fannie Lou Hamer and their focus on poor black folk as knowledgeable, usually in direct defiance of the male leaders of the Civil Rights Movement; we tend to think these women were making egalitarian, moralistic, feminist choices that re-defined leadership, and, yes, they were, but they were also forwarding and centering a counter-ideological system that the bourgeoisie just can’t give you.  We who do the work of teaching and theorizing college writing are also stuck in this discourse of depoliticized, moralistic choices.  We want to debate what it means, ethically, to ask students to give up “home cultures” and “mother tongues” when they are in the academy.  We want to rest on paternalism and talk about “preparation” of subordinated groups to move ahead in the world (we do not rigorously interrogate that social world, we just embrace ourselves as having the answers to moving forward in it without an admission of our white power as the key.)  Sometimes, we will call it racist to ask students of color to give up the communities in which they have made sense of themselves.  But we seldom explicitly address our current complicity in one of the most egregious systems of racialized capitalism when we tell students they will enter new types of work worlds with their college degrees.  We are, in essence, formulating and formalizing the process where students withdraw from and deny the kind of counter-ideological systems that they already have and can use to take on, see, and critique the system we are in.  We would rather throw our students out into an exploitative world and pretend it will not devour them up in the same way it has always done with workers. In my mind, this is the worst kind of teaching we could provide.

My Father’s Black Working Class Consciousness as an Academic Necessity

My Father as a Young Man

My Father as a Young Man

When I have heard white working class people talk about becoming academics/joining the academy, they seem to often talk about an estrangement from peers, neighborhoods, and, especially, from family.  I hear black academics sometimes talk this way also, usually in reference to the brothas and sistas on the block who no longer accept them.  I just don’t get it. I just don’t have these issues, never have, and don’t imagine I will in the future either. The older that I get, the further “ahead” (in years, I mean) that I move into the academy, the more I seem to be able to talk with and relate to my father.

My father is a retired heating and air conditioning mechanic and seems to be able to fix any motor/engine/system on the planet.  As is always so startlingly true of the discarding of black bodies, talent, and genius under white supremacy, in another world, my father could have been an engineer and inventor (I won’t even go into the everyday assistantship I have had to provide on his homemade barbecue grills and electric traps to catch squirrels and critters that eat the garden’s tomatoes).  His garage is the 21st century version of Fred Sanford’s junkyard/frontyard with anything that you could ever need to fix anything that is ever broken.

Sanford and Son

Sanford and Son… Now Insert Me as Daughter

For most of my life, my father worked as custodial staff for the federal building.  Today, he gets hassled daily for any odd job that any black person in that part of Ohio seems to need done, so much so that he never answers his phone anymore, forcing me to buy him a cell phone and put it on my account in order to talk to him (preachers seem to be his arch-nemesis for trying to get free or cheap work done).  As a scholarship student at an elite high school, my high school peers were the sons and daughters of lawyers and judges so they knew my father from their parents’ frequent visits to the federal building where my father worked.  To my peers, I was the janitor’s daughter and it didn’t seem to make a difference that my father was not the janitor at OUR building, he was just a janitor out there somewhere and so that was his and my only identity.  I won’t lie and say that I didn’t feel like an ugly, unwanted, poor black girl for most of my high school years— it was what that culture engendered— but I wasn’t estranged from my father’s class consciousness and had a full-blooded, full-bodied critique of elite and upper middle class white people.  Today, as a recently tenured professor of English, I relate to my father even more by nature of the work and white supremacy that I navigate daily in the academy.  What on earth would make anyone think that it would look any different for me than it did for him?

Being raised in a (very) large, black working class family is what I count as my greatest blessing and asset today.  The language and vernacular that redefines and plays, the ability to read whiteness and its violence, the knowledge that pleasure and sustenance won’t come from work, the explicit naming of unfairness in everyday banter, the transformation of the mundane (fish fries, the electric slide, etc) into the sacred have sustained me in ways that are beyond even my conscious awareness.

Last week, I mailed to my father one of the first copies of my first book.  When he received it, he called me and was stunned that it was 336 pages and DONE!  The thing he kept saying, over and over again, was this: “uhn, uhn, uhn, this is a whole lotta work, baby.”  He told me that it was time to rest now before I get back up and get back at it.  It was the best recognition of what I had done and the best advice for what I need to do next that I have received to date!  I knew he would understand just what I was feeling, down to the core.

“Everyday Will Be Like a Holiday”

This year, my father gave me money for Christmas since he seems to have given up all hope of buying me clothes, jewelry, electronics, etc.  After I opened the envelope, here is what our conversation was like:

You know you put money in this envelope, right?  I wasn’t gon tell you in case it was a mistake but I figured I better be honest with it bein Christmas and all.

Oh, naw, baby, that was a mistake.  Gimme that money back.

Ima put it in the mail for you right now.  I hope it get to you, cuz you knooooow how the post office be.

That’s pretty typical banter between my father and me, especially since he is becoming more and more like Fred Sanford with each passing year.  The banter has ALWAYS been like this, it pops off very quickly, and Christmas was never an exception.  The monetary gifts are a new thing but the wit, love, and laughter have been constant.

Many academics who I know will tell me that my nostalgia is romantic or maybe even essentialist.  But these people are not usually Black.  Or, if they are, I don’t really like or respect them very much (I may as well keep being honest).  Whether or not I am romantic or essentialist, I don’t really care about these elitist labels from people who divorce their thinking and intellectual work from everyday, social action and participation in real communities and neighborhoods (college campuses, volunteerism, and nuclear family life are not THAT.)  So I am proud to say that I remember the holidays fondly.  Material scarcity did not conflict with emotional abundance. After all, it didn’t take any money for my father to grant me my one Christmas wish: to let me hear Kurtis Blow perform my favorite Christmas song, the one that got me in trouble in school because those were the only lyrics I memorized:

Now, of course, I was about 8 years old and really excitable.  You have to realize that, for my father, this was quite a sacrifice, because his favorite Christmas song was none other than William Bell’s “Everyday Will Be Like a Holiday” and he kept it on rotation all day long too, to my obvious dismay given my emerging tastes.  And I had a lot to say about it too.

Legend has it, according to my father, that my uncle (one of his 7 brothers), could sing this song better than anyone in Alabama. I tend to take that seriously, since my uncles are not ones to give you a compliment when you do NOT deserve it and will, quite forthrightly and loudly, tell you when your skills are lacking.

There were, of course, commercial breaks from my father’s rotation of William Bell’s song.  That was when I would hear Charles Brown’s version of “Merry Christmas, Baby.”

Or… there were also times when I could hear my favorite “old-timey song” (as I called it back then) that my 8-year old self was willing to tolerate without loud objection: Diana Ross and the Supremes doing “Twinkle, Twinkle Little Me”:

Now let my aunts, my father’s seven sisters, tell it, ALL of them can sing this song better than anyone anywhere.  I have heard them sing: I think they are right.

Convinced that Charles Brown was a woman with a scratchy voice, I always loved this line, my all-time-favorite Holiday words: “Well, I haven’t had a drink this mo’nin, but I’m all lit up like a Christmas tree…ooooh.”  At eight years old, I had no idea what these words meant but I could recite them.  And I could talk a lot of stuff too about all this holiday music that just sounded way too much like what my father was always playing: Motown, Soul, Blues… just…too… much! Like I said, I was young with questionable musical taste.  But if you were visiting my house, you would hear William Bell playing all day too.  And, before you walked out, you’d be twinkling, all lit up like a Christmas tree, and you might get some banter in between too (once again, I’m just being honest here).

As I closed out my 2012 Winter Solstice observance, I find myself nostalgic and it is a nostalgia of the utmost significance to me: it reminds me that in the midst of the most savage oppression, we can demand and participate in our own humanity.  We can laugh and help a little girl inject her generational, Black aesthetic into the groove and we can create an environment that sounds like love even when the rest of the world won’t sound that for us. These days I see these moments as incredibly radical.   Maybe that’s why my father liked William Bell’s song so much: maybe the challenge really is to make everyday like a holiday.   I’m glad my family gave me a set of memories and dispositions to point me in that alternate direction.