BLACK WOMEN IS OUT HERE REALLY READING! (The 125+ Books I Read in 2025 c/o BlackBookTok, BlackAFBookTok, BlackBookStagram, BookAppCousins, and BookClubFam)

I pledged to read 125 books in 2025 and I did (more than that actually, but many were short novellas). Before January 1, 2025 dropped, I knew I needed an escape and otherwiseworld to sustain the chaos of the national political scene and these incessant Klan rallies that you find on every app, street corner, and government/campus meeting. Escapes are not a make-believe land though; they let you recharge and reimagine your current conditions with inspiration and creativity. I always read a lot of academic articles and non-fiction for the classes I teach every semester, so I don’t count that in my 125 goal. These 125 books were a mix of pure foolishness, pleasure, creativity, and divine inspiration. Yes, historical fiction (especially if it has a speculative twist) calls my name, but if BlackBookTok, BlackBookStagram, BlackAFReaders, ReadingAppCousins, or my BookClubFam started hyping any messy, dramatic, foolish, WTF-Did-I-Just-Read typa title in 2025, I MOST DEFINITELY read that book! What I didn’t get to, I stored in my TBR for 2026. My 2025 list is petty and hood and bougsie and triflin and edumacated all at the same time. Even though the rest of the U.S.A. might be out here struggling to read and comprehend basic words, BLACK WOMEN IS OUT HERE R.E.A.D.I.N.G. up a storm.

Quiet as it’s kept (for those not paying attention), reading has made a big comeback. The Black Romance Festival alone sold out its 2000 seats immediately when 7000 readers, mostly Black women, hopped online and tried to grab a ticket in the first fifteen minutes of sales, myself included. This culture of Black reading is all over BlackBookTok, BlackBookstagram, and the reading apps and I am here for it.

And it is a culture. There are TikTok/IG lives where folx just come to read as well as meet-ups in the park/bar/mall. I watch so many monthly reviews and monthly posts about books from Black content creators that I can’t keep up with it all. There are villains and bookbaes who I talk about as if I know them. I am on a first-name basis with every author I have read this year (the authors may not know me, but I’m their homegirl nonetheless). Young Black folx in school do deep-explaining on where they sneak time to read for pleasure. The book apps clock what I read, track my yearly targets, curate my faves, link me with dope book-friends, take stock of the genres and authors I’ve read most, and collect my reviews and fave quotes.

The BlackBookTokers I follow will read the same book across multiple modalities: hardcopy, audio, ebook, and then another hardcopy or paperback if a new version has a beautiful spray. You will get jealous of all them bookcases lining every wall with the most comfortable loungers and pillows nearby, all cozied up with an ebook page turner, ebook holder, and/or fabulous bookmarks. Issa LOT! Just extra to be extra… and so beautiful.

Spare Bedroom that I Turned into My Library

The posts— on every app— are hilarious. I fall out laughing everytime I see a sistah dogg out some dude tryna slide in her DMs when sistahgurl BEEN sayin this account is only ABOUT BOOKS. Some of these posts have entire playlists to match a book’s vibe. Some books got BlackBookTok out here dancing and I mean gettin real low too. The diss tracks on the ableist folx who say audiobooks are not real reading are priceless. The diss tracks on the unlovable folx who say romance books are trash, especially books showing Black love in a time of unmitigated anti-Black hate, are unrelenting. And you better not go on any corner of the internet and criticize smut or hood books; you gon mess around and get WHUPPED worser than the goofies and opps in urban fiction! Any BookToker who never read BIPOC but got online to commemorate the death of MAGA’s favorite 2025 white supremacist got dragged and dropped in grand ceremonial style. It ain’t about canceling; this is called CONSEQUENCES. Some call their kindle their plug and give them names. I just ordered my paperwhite for 2026. Her name is La’ Kindela (yes, the apostrophe is necessary), a title gifted to me by one of my book club members (who, despite being the sweetest person, stay reading and loving serial-killer-fiction!!! It’s wild out here!) Dope book suggestions, great book community, real good reading, and absolute outrageousness! Reading saved me from the doom of 2025.

My favorite read of 2025 was The Reformatory by Tananarive Due. If you are an educator and/or historian of Black education or if you just like Black speculative fiction, you must read this book! It will blow your mind. I will never forget it.

These were my other top favorites in 2025, books that deeply inspired me for their sociohistorical content, ancestral connections, and/or divine writing style: Black Girl Unlimited by Echo Brown; The Day God Saw Me As Black by Danyelle Thomas; Empire of AI by Karen Hao, Ring Shout by P. Djélí Clark, Son of the Morning by Akwaeke Emezi; and Zeal by Morgan Jerkins.

Monday’s Not Coming by YA author Tiffany Jackson was also a 2025 favorite. This book wrecked me and had me crying like a baby. I read all of Jackson’s books this year and fell in love with The Weight of Blood, Let Me Hear a Rhyme, Grown, Allegedly, and Storm: Dawn of a Goddess. I actually liked all of her nine books (and will read #10 as soon as it is released). If you don’t read YA novels, Tiffany Jackson is your sign to start. I saw the hype on her on BlackTikTok and followed it.

The King of Ashes by S.A. Cosby was another favorite. I read all of Cosby’s books in 2025, but I started with King so it will always be most memorable. I don’t really read crime-horror-thriller like that, but this one blew my mind. Sumbody go check on that man!  How he got stories like this just in his head?? This is another author where I saw the hype on BlackTikTok and followed it.

And lest folx think I’m playin about my love of urban fiction, one title also made my all-time fave list: Demon’s Dream: An Expected Love by Elle Kayson. Elle did that– all 750 pages! So many people got unalived in this book, I don’t even know where to start, so I’ll just say: Damien and Smoke don’t play (if you are the pearl-clutching type, this book is not for you because the spice rack in this book is HOT AF!)  Even for my old ass, these are my bookbaes for LIFE!

Here are all of the other books that I read, categorized according to my self-defined genres. This year’s reading categories for me are: A) “The People Could Fly” ; B) V.W.A.s, Haints, and All Our Hoodoo Cousins; C) A Black “Love Supreme”; D) D is for Drew Collins University; E) Poetics & Aesthetics; F) “Brickhouse”; G) WTF Did I Just Read? But… I Like It; H) “Baby, I’m a Doggggg, I’m a Mutt” Romantasy.

CATEGORY A: “The People Could Fly” | These are Speculative Black YA novels that intersect with schooling. I talked about these in a previous post (click here) related to my fall 2025 course, “Freedom School: Rhetorics and Histories of Black Education.” Because this category encompasses almost 50 titles (many of these books are series), this was almost 50% of my reading in 2025. I refer to these books as “The People Could Fly” to highlight the fact that the Black Speculative Imagination under white settler colonization begins with Black Diasporic Oral Traditions, often relayed to children, not with trendy academic theories in white university departments (click on the arrows below for the books I read).

CATEGORY B: V.W.A.s, Haints, and All Our Hoodoo Cousins | And just what is a V.W.A.? Vampires wit Attitude! BlackBookTok calls them viggas. Sinners ain’t show even half the stories that are out here. This was a big category for me this year, matching the speculative YA that fascinated me. There are so many BIPOC authors getting their lick back with BIPOC shapeshifters, haints, vampires, and conjurers that I give it is own category. For my 2025, these included: The Bewitching by Silvia Moreno-Garcia; Blood Slaves by Markus Redmond; The Buffalo Hunter Hunter by Stephen Graham Jones; Brothers Unholy* by Nastee (yes, that’s the authors name! hey, may as well be true to you!); Chosen by a Vampire* by Wynta Tyme (yes, that’s the authors name! cuz it’s cooold out here!); This Cursed House by Del Sandeen; The Dark Thirty by Patricia McKissack; The Deep by Rivers Solomon; Fang Gang 1, 2, AAAAND 3* by Cyn; The Good House by Tananarive Due; Her Stories: African American Folktales, Fairytales, and True Tales by Virginia Hamilton (a repeat reading for me); Khan’s Choice* by Tacarra; Moaning Bones: African American Ghost Stories by James Haskins; The People Could Fly: American Black Folktakes by Virginia Hamilton (a repeat reading for me); Root Magic by Eden Royce; The Visitors: A Louisiana Paranormal Short by De’Andrea. [Books with * mean these are spicy novellas that cross over into CATEGORY H below]

CATEGORY C: A Black “Love Supreme” | These are the Black romance books that I danced with this year. For my 2025, these included: Black by Joan Vassar; Christmas with the Steeles by Brenda Jackson; Elbert by Joan Vassar; Emancipating James by Joan Vassar; Flirting Lessons by Jasmine Guillory; Spilling the Tea by Brenda Jackson. This category will be infinitely larger in 2026, cuz I’m already makin my list and checkin it twice.

CATEGORY D: D is for Drew Collins University | And in a category all on her own is the indie author who goes by Desiree and Granger! I have an admissions certificate and sweatshirt from her fictional school, Drew Collins University— “a privately owned HBCU for Black mythical and magical beings and creatures” featuring all kindsa xxx-rated shenanigans. For my 2025, these included: Mortal Affairs; The First Family; Saint and the Queen; When a Wolf Loves the Moon; the Secret World of Maggie Grey.

CATEGORY E: Poetics & Aesthetics | Poetry books conjure words about the world’s horrors in ways that seem to surpass language, so I always read a few. Closely connected are large, Black art books for me (what foolish folx call coffee table books as if coffee needs a table) that visually take you to other worlds. For my 2025, these included: Camo by Thandiwe Muriu; Gumbo Ya Ya by Aurielle Marie; How to Survive the Apocalypse by Jacqueline Allen Trimble; If They Come For Us by Fatimah Asghar; Nana Akua Goes to School (a picture book but I’m counting it here); The Unboxing of a Black Girl by Angela Shanté.

CATEGORY F: “Brickhouse” | These fiction and non-fiction titles come with big and well-deserved acclaim so I had to read them. These writers are like that Commodore song: “awwwe, she’s a brickhouse/ she’s mighty mighty/ just lettin it all hang out… ain’t holding nuthin back.” For my 2025, these included: Ace of Spades by Faridah Ábíké-Íyímídé; Black Networked Resistance by Raven Simone Maragh-Lloyd; Chain Gang All Stars by Nana Kwame Adjei-Brenyah; Dominion by Addie Citchens; Junie by Erin Crosby Eckstine; Lone Women by Victor LaValle; No Gods, No Monsters by Cadwell Turnbull; Parable of the Sower by Octavia Butler (a repeat reading for me); Race and Digital Media by Lori Kiddo Lopez; Undrowned: Black Feminist Lessons from Marine Mammals by Alexis Pauline Gumbs (a repeat reading for me); We Tried to Tell Y’all: Black Twitter and the Rise of Digital Counternarratives by Meredith Clark. And, of course, I must never forget Vera Wong’s Unsolicited Advice for Murderers and Vera Wong’s Guide to Snooping by Jesse Sutanto. I laughed so hard and need Sutanto to do a Vera Wong series for Netflix sooo bad (or at least hurry and give us book 3 and 4 and on and on)!

CATEGORY G: WTF Did I Just Read? But… I Like It | Look, if you a dude out here playin women, do NOT let Octavia Grant or any of the Black women writers in this category get holdt to your story. You will never be the same (or alive). For my 2025, these included: Cut Throat and Dear Vicky by Octavia Grant; Hood Holiday with a Chicago Menace by Dominique Nikail; My Sister, the Serial Killer by Oyinkan Brathwaite.

Category H: “Baby, I’m a Doggggg, I’m a Mutt” Romantasy | And in a category all by itself is romantasy. My 2025 romantasy dive centered Tessa Stone and Eva O’Hare. I saw the hype on them on BlackTikTok and followed it. Many of us are still on Amazon via Kindle Unlimited because of its vast publication of Black women indie authors (there is NO other reason to be buying books from them). Tessa Stone’s many, many novellas feature shapeshifters— mostly werewolves (hence, the Leon Thomas song reference as the title of this category), who have their own self-sustaining community in Michigan. These fine-ass Black men will tear you up if you try and come for one of their fated mates. The Black women in Eva O’Hare’s novellas go even further, literally: to other planets. For my 2025, I read Tessa Stone’s 13, first-published novellas and I read 5 novellas by Eva O’Hare. Again: if you are the pearl-clutching type, these books are not for you because the spice racks in these books are HOT AF! I had a 3-week run this summer where I was reading a novella per day by these two women. I just couldn’t stop. Black women can do anything (which we always knew) and this includes making wolves and aliens real fine and lustworthy. They out here turning Amazon out!

And now… it’s time to get ready for 2026. Let’s see if I can read 126 books this year so that I can sustain my mind and soul again! Television is getting whiter and so are movies and so are school curricula and so is Twitter and so is Nicki Minaj and so is GenAI and etcetera. As the elders would say: all you gotta do is STAY BLACK. I’m reading my way onwards.

Letter to My Former College President and Provost: Why I Left

Dear College President and Provost,

I hope this letter finds you both well.  Since spring 2019 was my last semester, I am writing to share some of my experiences with the hope that my insights might offer you a different perspective of life at the college for BIPOC.  Since my campus interview in 2013 up until my departure, I worked under two presidents, three provosts, three deans, three chairs, and four program directors.  To say that the university was unstable in those six years is obviously an understatement, so I admired the peace that you were trying to instill which, in turn, motivated my decision to reach out to you here.  I am not expecting a response to this letter, but I felt it was imperative that I write it anyway.

My sincere apologies that I could not write this letter sooner as family issues got in the way.  I never had any intention of choking my voice and always planned to offer you an image of the structural oppositions that people who look like me face in the predominantly white and hostile departments and programs that permeate the college.  In my inability to write this sooner, I fear that yet another dominant, racist white narrative at the college has gone unchecked: namely, the willful ignorance surrounding the racial delusions that my departure, as well as that of other folk who look like me, was rooted in the simple desire for better resources and prestige elsewhere.   You must know better than this.

You must know better than this!

For far too long, the conversations about retaining BIPOC faculty at the college have centered on support for tenure.  This logic assumes that tenure and promotion are something difficult for us. I assure you that this has not been the case for me or my peers.  My generation of successful Brown and Black professionals are a mobile generation and the most decorated amongst us do one thing when an institution continually devalues us: we leave.  This is as true for academia as it is for law, medicine, and business, especially for successful Black women, as I am sure you are both well aware given the ready availability of such statistical data.  This is also especially true for people like me who worked for six years at a salary much lower than male counterparts when their comparative CVs did not justify their higher salaries.  While there were no attempts to correct this wrong against my labor and intellect, there were plenty of ploys to get me to do MORE uncompensated work far beyond the scope of what would ever be considered reasonable or equitable.  All of this is just to say that Brown and Black faculty are not out here struggling with tenure and promotion requirements; none of us would have made it into and out of PhD programs, racially exclusive and hostile as they are, if we were struggling with research and writing processes.  Like most places, the college excelled in: 1) the continuum between outright neglect and layered silencing of BIPOC faculty; 2) shrouded guidelines and continual shifts around tenure and promotion requirements; 3) unacknowledged exploitation of uncompensated BIPOC labor towards service and away from scholarship (resulting in a white-racialized structure of who is supported materially and symbolically as a serious researcher/ scholar/ writer), and last, but certainly not least; 4) the chronic mismanagement of hot-mess departments that couldn’t direct somebody through empty traffic much less a university procedure.  When my former colleagues and administrators claim that I left the college because this is just my personality, you must know that this is merely a cover-up for all that is wrong with them.  When top administrators feel emboldened to declare that a Black woman professor is only leaving because that’s her personality (that was said to me), that is a sure sign of the institutional incompetence in retaining them and will require a radical facelift in the colleges’ rogue team of untrained/untheoried leaders who have vacated a research expertise of their work.  I have only ever left a university when I found its racialized exploitation, anti-blackness, organizational incompetence, and misogynoir intolerable.  Any discourse about my departure that deliberately ignores the hostile and inept environments that make a place unbearable for faculty of color like me obfuscates the college’s failure to develop effective recruitment and retention models for BIPOC and promotes the racism that the institution sustains. After teaching at multiple universities in the NJ/NY area, my experiences at your college remain the whitest and the most alienating.  Any explanation for my departure outside of these terms is just another example of routine gaslighting or, to quote Mary J. Blige, some real basic hateration/holleration in this dancerie.  When non-Black faculty and administrators insist that positive, racial change has arrived to campus and yet struggle to recruit and retain Black, tenured faculty, the empirical evidence is simply not on their side.  I share these experiences to contend that a university which does not value we high-achieving Brown and Black scholar-researchers is not a place that can ever critically educate students who look like us either. 

Real basic hateration!

The fact of the matter is this: being a professor at the college meant career and financial sacrifice.  Even the difference in the larger contribution that my previous university made to my retirement funds (though I worked at your college longer) was SIGNIFICANT.  For sure, we do not choose the City University of New York (CUNY) to become rich and famous; we know that the resources and salaries will never be competitive.  And truth be told, with the exception of those who have wealthy spouses and/or family backgrounds (a significant percentage of the faculty, by the way), employment at CUNY cannot financially sustain even basic housing in NYC today.   When I look at all of the professional and financial sacrifices, just to be at a place where I was ignored, disrespected, and marginalized, I have real questions about the institution’s commitment to diversity and equity and why any BIPOC stay. The most strong-willed will leave or, when that is not physically possible, find a way to do the work they are called to do in scholarly communities far away from the campus.  Attrition rates do not even begin to convey what you have really lost.

It is not my intent here to run a discursive style that might sound like I am singing an old Lou Rawls tune: You’re gonna miss my lovin.  Institutions pick up and go along as if we were never there, but they do so at the grave risk of repeating past mistakes and never truly moving forward.  My experiences as woman of color/Black Feminist/first-generation college-goer/working class Hip Hopper/AfroDigital Humanities teacher illuminate more mistakes than successes.  Though my negative experiences have been countless, I will share a few instances here.

More than attrition!

I’ll begin with my last semester at the college as part of the Gender Studies advisory board who attempted to revise the undergraduate major in Gender Studies, particularly those parts that promoted horribly whitewashed and white colonized historical content.  In fact, the history curriculum in Gender Studies was more Western European in its content and racist in its outlook than anything I had witnessed in schools, even going back to when I began teaching in NYC public high schools in 1993.  The response to our curricular revision in Gender Studies was met with such hostility from white faculty and administration that I felt the need to address the issues in a letter to the dean (that letter is attached here… click and read this mess).  After learning of our proposed changes to the Gender Studies curriculum, history faculty secured letters from faculty across CUNY (with the HIS chair praising their efforts) about our work in Gender Studies.  The most prominent CUNY faculty who wrote letters in support of HIS faculty rescinded their support after learning what these HIS classes really entail.  That formerly supportive faculty also informed me that the HIS faculty themselves wrote the prose, merely asking faculty across CUNY to cut and paste their words into an email to the Dean. When they began quoting from these letters, they knew that they were, in fact, merely referencing their own words.  When the advisory committee withdrew the revisions to the curriculum, the HIS department then sent emails to their original letter writers thanking them with the following message: “we accomplished our goal.”  The only thing that they seemed to achieve was a bullying of the faculty who volunteered without any recognition or compensation to run an interdisciplinary program and the maintenance of a recalcitrant white colonized curriculum.   This kind of curriculum, pedagogy, and discourse are quite literally rewarded and protected at the college and it is an embarrassment.

This particular instance with Gender Studies serves as an example and not an exemplar. I arrived exhausted by the battles and racist attacks that I had witnessed and fought at my previous colleges.  Your college only added new dimensions and taught me that I can trust no institution to treat BIPOC well and hence I no longer expect it. That pessimism is, in fact, the only gift that your college gave me.

It was simply routine for faculty of color to describe senior white faculty who had reprimanded them for congregating with other faculty of color in the physical spaces and meetings of the college. I am not sure what shocked me most: 1) that POC faculty obeyed these plantation-styled surveillance regimes; 2) that the university does not face more discrimination law suits, or; 3) that the college has chosen these same white faculty as administrators today.  I mean, really, this is the kind of stuff that made Marvin Gaye write songs like “What’s Going On” because this kind of madness needs its own whole melody.  The outrageous behaviors of hostile faculty against BIPOC went unchecked in all of my encounters, especially in the first semester of my arrival with a dean and chair who remain the most unsupportive of any that I have encountered.  I tape-recorded the discussion of my first classroom observation and, unsurprisingly, the tapes revealed major discrepancies between what was said and what the administrator recorded as evidence of the discussion. I secured a lawyer to review my legal options given the egregiousness of the encounter and the final record.  I only decided to forego pursuing the obvious legal breaches so that I can present and write freely and openly about the events on a national stage.  Since then, I have advised countless Brown and Black faculty to consult their state laws about recorded conversations and their allowance in court rooms, a lesson courtesy of my experiences at your college where a routine classroom observation did not follow basic, ethical employment guidelines.

In my time at the college, I was further accused by a white faculty member of stealing his property.  My mail was opened and damaged on three, separate occasions.  Since these three items included a paycheck, an honorarium, and a contract, it seemed obvious to me that my mail was targeted. On yet other occasions, when I would, for instance, inadvertently leave a text on the photocopy machine in what was then a locked room in the department (that only faculty could access), my papers were shredded with careful attention paid to ripping words and sentences that represented racial critique by BIPOC.  I have actually kept these pieces of paper so that I can show national audiences exactly what macro-aggressions look like for BIPOC. None of these events are particularly surprising or new, but these kinds of routine experiences call into question the college’s market campaigns about “educating for justice” with a predominantly Brown and Black student body in a city with the highest concentrations of Black/Brown populations in the country.  To keep the old skool R&B playlist running here, I’ll go with Keith Sweat on this one: “sumthin, sumthin just ain’t right.”

…Sumthin sumthin just ain’t right!

As a discourse community, the culture was further troubling.  I heard, on countless occasions, faculty and administrators describe their desire for administrative work in terms of being able “to get out of the classroom.”  When I arrived, I had left an administrative position with a 1/1 load, then turned down a more competitive offer at a state university campus with a 2/2 load and smaller classes, just so that I could get back into the classroom.  I chose the college for the heavy teaching load and for its students and ended up traveling all over the country to cull and share research-based ideas and theories about 21st century Brown and Black classrooms because there was NO such intellectual exchange at the college. To say that I was disappointed would be a compliment.  It was also incredibly difficult to listen to faculty talk about minimizing their time in Brown and Black classrooms while performing a self-congratulatory righteousness that they were doing the greater good by racking up years of course releases with their “service.”  A very specific language was consistent and repetitive: doing administrative/leadership work meant getting out of teaching and being able to pick up one’s children in time from school (and in each of these instances, the speaker meant an expensive, private or parochial school).  I heard so many public, paternalistic pronouncements about us doing “the best that we can” from faculty who sent their children to elite and/or private schools and colleges (even expending extra endowments to them) that it became nauseating.  What does it mean to celebrate doing “the best with what little we have” for what education scholars call “other people’s children” when you would never call those same things good enough for your own children (or the children in your segregated neighborhood)? I share these re-occurring instances as an indication of the kind of toxicity experienced by a woman of color who had to constantly hear the students of color and people in her communities discussed in this way.

It also became increasingly more intolerable to hear faculty comments about the allegations of sexual misconduct that were investigated in 2018-2019.  I appreciated the Climate Review process but did not feel safe in attending a focus group with faculty given the nature of many of their attitudes. On multiple occasions, faculty initiated conversations with me defending the actions of the male faculty members who were investigated.  Most often, faculty insisted that each of these three men, naming each of them separately as longtime friends/colleagues, had consensual sexual relations with the undergraduate students who filed the complaint. I did not solicit these conversations and yet these were the so-called “facts” presented to me.  I heard very little sympathy for the accusers, but all manner of excuses for the accused. I didn’t know what to say to my faculty peers other than to simply insist: my momma taught me betta than that.  At one point, the lawyer of one of the accused emailed countless faculty, explaining that the accused did research in poor and Black and Brown communities and learned to mimick these people’s lingo and affect for greater street-cred; students, in turn, merely misinterpreted the casual, street vibe.  As someone who comes from these po folk and these very same streets, I can assure you that we do not look and sound anything like what this lawyer suggested and we most certainly were not groomed to commit acts of violence to people under our care as representative of our “street lingo.”  Like I said before, we were taught betta than that. Listening to all this became, in of and of itself, another form of violence.  It should come as no surprise that for someone on the outside of the old-crony gangs that roam the college, and as someone on the outside of the mainstream/ whitestream ideological apparatus that seemingly dominates all space there, the campus climate just became more and more unbearable.

It deeply saddened me to leave the young people at the college who gave me life for six years.  My entire career has been dedicated to the education of Black and Brown youth so it was an honor to do part of that almost 30-year career work at your college. Though it was difficult to leave them, it was more difficult to watch institutional actors refuse to see or match students’ brilliance in ways that are commensurate with a culturally-sustaining and critical education rather than the current colonial, rudimentary-skills-based, vocational training that racism and white settler logics have designed for them.  My only salvation today is in knowing that the communities and ancestral heritages that myself and BIPOC college students represent have sustained far worse and will survive and thrive despite these new colonial regimes. 

My heartfelt wishes for the work ahead of you!

Warmest regards,

Carmen Kynard

p.s. You should know that I plan to go public with this letter (of course, omitting all specific references to the college) in the hopes that my unsilencing helps other BIPOC faculty out there somewhere.  You should also know that when my former colleagues reach out to me to assuage their white guilt or racial complicity, I have no intention of responding to or comforting them. They have done enough damage and will no longer have access to my mind, body, or spirit. I have refrained from using the names of the perpetrators who I have catalogued here because they simply are not important enough (they are merely generally representative and not especially individual in their routine acts of violence), but should you ever want to know who I am referencing: I will be more than happy to spill that tea.

A BLOG NOTE: Part of my desire to write this letter has also been to add to the archive of Black and Brown feminists who have taught at CUNY.  There is increased interest, for instance, in the archives of Black feminists like June Jordan, Audre Lorde, Barbara Christian, and Toni Cade Bambara who started their teaching/writing/activist careers at CUNY.  We learn important things from these archives: 1) that radical Black feminists were treated with disdain and disregard in their time at CUNY, despite the public celebrations performed for them decades later; 2) that radical Black feminists left behind a record such that their critiques and larger visions could never be appropriated without the truth behind their experiences; 3) that radical Black feminists worked with their students, often in isolation, to imagine alternative definitions and processes for a transformative, critical education for Brown and Black youth.  I aspire to follow in their footsteps and also leave behind my own record. I hope that CUNY will someday end up on the right side of history when it comes to a radical Black feminist presence. It didn’t see it in my time there, but I remain hopeful that CUNY’s students might one day experience a culturally-sustaining and critical education.  In the meantime, we can get real about what stands in the way.

My Grandmother’s Intentionality: Languaging and Living

Audre Lorde QuoteMy father’s mother is the only woman who I have ever called my grandmother. She passed away a few years ago but I think of her always and talk to her often in my dreams.  As I get older, I see the intentionality that guided her life in renewed ways.

My grandmother wasn’t someone who you could call talkative.  She said what she meant and meant what she said.  I don’t recall any moment in my life when I ever saw her get upset and say something that she regretted later.  If she called you out your name, then that was your deserved name and unless you made a character change, that was the name that stayed with you.  Words were not things you took lightly and they were not things you could take back.  This is how most black folk I am close to think. Language shapes you and everything around you; it must always be intentional and it always was for my grandmother.  It is such an anomaly as an academic where talk-talk-talking-nonstop is what folk do.  There’s lotsa talking in these spaces— the arrogance and psychoses of always dominating the space by runnin your mouf— but not a whole lot of thinking and listening.  At best, I am usually bored and, at worst, I am often offended.  Strangely enough, I have read scholarship for years that indicates that my grandmother’s working class roots and vocabulary are a detriment to my language skills and yet the intentionality of her ways with words is the only one based in any deeply philosophical thought that I can see and hear for miles around me, despite all this middle class social capital folk have.

My grandmother (center, in pearls) with her 15 children and 60+ grandchildren & greatgrandchidren

My grandmother (center, in pearls) with her 15 children and 60+ grandchildren & greatgrandchidren

I don’t have any memory of my grandfather, my grandmother’s husband, because he died when I was very young. My grandmother was in her early 50s and never dated again.  I never even sensed from her, the way I do with many of the women around me as a child and now, that she wished she had a man or was ever interested in a man’s help or nurture.  Male attention was never the center of her life nor did she think it should be central to any other woman’s life.  At 50, after birthing 15 children, she was still very fly, always looking at least 10-15 years younger, tall, slender but very curved, with skin so smooth it looked like she woke up wearing foundation.  Even when she wore the family picnic T-shirt at 70+ years old, she adorned herself with pearls and shoes to match. She was, quite simply, content with who and where she was.  It’s a feeling that I can’t quite describe but one that I just don’t sense from many folks.  Most people I see are always trying to climb higher, become famous/known/seen, get to a more prestigious university (or pretend that the place where they work is Hahvahd), buy more things, have more clout.  There was never a time when I felt my grandmother was looking for something, for someone, for some place else, as if something was missing inside of her.  My father and his 14 siblings have often talked about how she would get mad at them for just staring too long at the Sears catalog which she called a Wish Book, something that she considered very dangerous.  You didn’t worship things outside of yourself that way, especially if it was connected to whiteness.

My grandmother would never have called herself a black feminist or womanist, those are academic labels that wouldn’t have done much for her life.  But when I heard Audre Lorde say things like “Who I am is what fulfills me and what fulfills the vision I have of a world,” I could gather those words into my being because of my grandmother.  Why would I ever be desperate for an alternative role model when I can clearly see and value the blackness from which I already emanate?  For me, my grandmother is one of the most radical black women/black people/intellectuals I know.  She lived her life never wanting to be somewhere else, never wanting to be something else, never wanting to be with someone else, never aspiring to be a social climber and insomuch that those projects/desires are always dictated by whiteness, she lived a life few of us today seem able to even imagine, much less achieve.

“This Woman’s Work”: Sybrina Fulton

Mamie-Sybrina Collage

My Collage of Mamie Till-Bradley, Emmett Till, Sybrina Fulton, and Trayvon Martin

“Trayon Martin is the Emmett Till” of our time… that’s a statement I have continually heard in these past days and I would have to agree.  The corollary is also true here:  Sybrina Fulton is the Mamie Till-Bradley of our time.  In Sybrina Fulton’s talk at the rally at One Police Plaza in New York City this past weekend, I was particularly inspired by these lines:

As I sat in the courtroom, it made me think that they were talking about another man. And it wasn’t. It was a child, who thought as a child, who acted as a child, who behaved as a child. And don’t take my word for it. He had a drink and candy. So, not only—not only do I vow to you to do what I can for Trayvon Martin, I promise you I’m going to work hard for your children, as well, because it’s important. (see 16:43 to 17:20 of the footage shot by Democracy Now).

When you think of the difficulty Mamie Till-Bradley had in securing her son’s body (Mississippi seemed to block her every move to have his body shipped to her in Chicago), it seems strangely reminiscent of the days Sybrina Fulton had to wait for her son’s body to be named Trayvon Martin, rather than the original John Doe white police proclaimed him to be, unworthy of even an investigation. It is not simply that both mothers lost their sons to white violence, publicly paraded by the courts’ refusal to convict their murderers.  It is the way these women opened up  their grief to the world and to a social analysis of that world.

Mamie Till-Bradley has not often been written into the chronicles of history as radical; it has mostly been black women and black feminists who have done this work and will continue to do this work with Sybrina Fulton’s life also.  Both of these women’s radical, emotional openness is simply chilling for me.   Ironically, we are in an age where everybody thinks they are “radically open” because they can post photos and videos on any and every social networking site of: 1) their children performing liberal rituals of white, nuclear American familyhood such that facebook, google+, and youtube become the new “Leave it to Beaver”; 2) themselves, friends, and family and the neoliberal objects/vacations/outings/performances they have materially acquired as the site of today’s corporate-induced narcissism.  All that “openness” but ain’t none of it like Sybrina Fulton’s! Or Mamie Till-Bradley’s!  An openness that looks American apartheid right in the eye rather than promote its whiteness!  At a time when most people use the “public forum” to simply promote the system we are in, Mamie and Sybrina halted the empty notions of progress, material celebration, and mainstream values that a white world would want to visually represent as Truth.  If there was ever a definition of speaking Truth-to-Power, this is it.

I think about Sybrina Fulton quite often and I cringe at the label that I hear too many often giving to her: strong black woman.  Yes, Sybrina Fulton is strong.  Who would suggest otherwise?   Yes, I understand the sentiment because so many of us hold her close and dear to our hearts and prayers, hoping she will know she is loved and cherished, shaken to our own core by the pain we can only imagine she is enduring.  Yes, we feel the awesomeness of her ability to stand in the face of that pain, brutality, and ugliness. But we need some deeper understandings of this legacy of black women and black mothers who defy all odds to love their children and challenge a world that hates black people.  Violence against black children is violence against black mothers so strength ain’t even the half.

Our current context is one that melds:

Multimedia cartels where most Americans visually circumscribe and incessantly celebrate mainstream, white familyhood, a continual site of historical violence and exclusivity in this country— I am not suggesting this is limited to the U.S., you need only watch the current foolishness surrounding the Royal Baby in England to know the U.S. has never been alone in mobilizing white imperialism to define family/nation;

WITH

A world where black motherhood is demonized and made into public spectacle for a gaze as white as the viewing of Gone with the Wind Tune in any Tuesday or Wednesday to Tyler Perry on OWN; he, of course, has not invented these images but when we promote them ourselves then you KNOW we’s in trouble (last night, Big Momma sang a slave spiritual to her white female boss, further castigated her own black daughter-turned-prostitute, and begged/sobbed for son’s release from prison).

When you place Sybrina Fulton into this kind of context, you begin to see why the label “strength” just won’t do for a black woman like her.  And you begin to see why so many black women will write her body, story, and pain so centrally into the history of black people and black freedom.