August Beginnings & Back-to-School Bling

afroAs a little girl, I cut my mother’s hair once…when she was sleeping.  Not much, just a little trim, but not really having a conception of time, I imagine that I thought it would grow back right away.  Needless to say, that experiment was not appreciated so I turned my attention to my next, unsuspecting victim: my father.  At the time, my father had a very large afro.  If I said I would grease his scalp, he would pretty much let me do what I wanted with his hair.  While he was watching the game or something on television, I would grease his scalp and then braid his whole head of hair in tiny braids, put colorful barrettes on each end, then dress up my dolls and do their hair to match.  That could take the better half of an afternoon or evening (it was a slow graduation from two-strand twisting to three-strand braiding).  My father is also a pretty chill person (and pretty funny) so if he needed to go outside for something, he would go out, just like that, with a head full of barrettes— take out the trash, help the elderly couple down the street, go to the co’ner sto’, you name it.  I would often be by his side, excited for everyone to see my creation.  And I was always very encouraged by my audience who told me to keep doing that to my father’s hair because he was lookin realllll good; it never once occurred to me that them folks was teasing.  My father once took his license photo like that after I agreed to tone down some of the barrettes; it was just too time-consuming to undo all of the braids and pick out his afro.  Let me tell you, that license picture got a whole lot of views, it was like the 1970s version of going viral.  Again, I assumed it was my hairdressing talent that was so intriguing.  I smile when I think about it: all of these people who made sure to never squash who I was. I remember it as a community that always found humor and celebration in the everyday.  Though my father was haunted by the many demons that squashed the fullness of working-class/working-poor black men who had just come home from the army in the 70s, I always remember my father as a comrade in my aesthetic creations and I took full advantage of it.

Imagine this Jacket... with sequin&rhinestone roller skate emblems all over!

Imagine this Jacket… with sequin&rhinestone roller skate emblems all over! And pants to match!  Wowzers!

A close replica of my roller skates... just add more handmade pom poms!

A close replica of my roller skates… just add more homemade pom poms!

Every August, my father scraped together his money, took me back-to-school shopping, and pretty much let me run through Montgomery Ward and get whatever I wanted.  It was a dream come true.  Sometimes I could spend $50; in a really good fiscal year, it was $75.  My parents were divorced and not communicating with one another which, to my delight, meant that my mother could not interfere with my choices.  When you shop with my mother, it’s all about practicality (since this could very well be the only time in the year when we bought new clothes.)  For my mother, it’s all about: how long will it last, can it be let out when you grow more, what else does it match, is it comfortable, how do you wash it, can you wear it on a gym day, can you wear it when it gets cold out…. all that ol’ mundane stuff.  My father did not talk that way; he did not think he really knew what kind of clothes little girls wore so I took the opportunity to educate him myself.  On one occasion, that meant a very shiny, blue jacket with pants to match, covered in sequin-and-sparkle-speckled roller skates with tassels for buttons.  It was F-A-B-U-L-O-U-S and ON SALE!  Score!  My mother, on the other hand, was furious.  You can’t wear that to school… and… blah, blah, blah.  If I had been allowed, I would have worn that joint EVERYday.  To top it all off, this outfit matched my roller skates AND the pom poms on the toe!!!!  I mean, really, what more could you ask for?

Every August, like my teacher-colleagues everywhere, I turn my attention to back-to-school, no longer as a student but as a teacher. It’s all about syllabi, projects, and classroom assignments now.  When you walk into Staples these days, you just know who the teachers are and if you look at the supplies in their hands, baskets, or carts, you can tell which grades they teach too.  This August, I am remembering rituals at this time of new beginnings.  I am excited for the new classes I will teach, my new train/subway/commute route, my new colleagues, and all the new students who will walk through my classroom doors.  My collection of children’s books, many of which are oversized, fit on the floor-to-ceiling shelves in my new office. I have 6 feet of leftover space for new books or other collectibles (or transfers from home shelves teeming over) and a big comfortable chair.  I even found out that the modular shelving system comes with extra shelves when I need them (space like this a real rarity in New York City).  For me, this is all just F-A-B-U-L-O-U-S!  Another score!

In the past years, August would hit and it would just feel like doomsday: “the cotton is ready to be picked” is what I would OFTEN say….and I meant it too!  But this year, I get to savor the rituals, the excitement, and the newness in the air.  As a little girl, I marked all of that with a little bling.  Inspired by the adults from my childhood, I am re-realizing that new beginnings and the everyday should, indeed, be celebrated.

“You No Got Sense Wiseness”

Adinkra Symbol for "Wisdom Knot"

Adinkra “Wisdom Knot”

I often talk about the importance of common sense but that term doesn’t work for the kind of fierce Black Common Sense I have in mind.  I like the term I learned from Fela Kuti better: sense wiseness.  Just like Fela Kuti conveys in the song, black academics and professionals, especially graduate students, have very little sense wiseness after all of the studies and travels within the empire.  Wisdom is not the purview of books and Western schools.  Far too many of us see the world outside of academia as incompatible with the work we do inside of academia.  For sure, black masses are not welcomed into academia and that is no coincidence but, also, for sure, you better hold on to the sense wiseness of the black masses or you won’t survive academia.

When I think of sense wiseness, I think of my family members (who do not have college degrees… like Fela Kuti says, education and sense wiseness are often an inverse relationship).  Between sense wiseness and quick wit, couldn’t NObody get over.  My uncle, Uncle Bay, who passed away a few years ago now, was fierce, even when cancer was ravaging his body.  My cousin, his son, tells a story of coming home from school one day really upset because a friend told the whole school my cousin’s secret.  My uncle quickly told my cousin to stop complaining and take full responsibility for his foolishness.  As my uncle told it: if you can’t keep your own secret, why you ’round here expecting somebody else to?  That makes a whole lotta sense to me, sense wiseness, actually.  I still don’t know what this secret was, some 25 years ago now, so apparently my cousin learned this lesson well.  Like in the case of my cousin, sense wiseness also means you listen to people who are telling you the right thing and who know what they are talking about: choose your teachers wisely and ignore fools.  I am often baffled as a teacher in this regard: stunned by how many of my students and colleagues listen to the dumbest people offer the dumbest advice about the discipline, who’s who, what’s what, and end up gettin NOwhere.  And since sense wiseness is not something you can read in a book, some folk will be like them old 7Up commercials: never had it, never will.  Like my Uncle Bay taught my cousin in high school (that my cousin, in turn, taught us): when you trust the wrong folk, something is wrong with YOU, not them, so get yourself right.  Friendship, trust, and the intimacies of your selfhood are not things to be given so freely.

africaStories of Uncle Bay’s sense wiseness abound in my family. Uncle Bay was a manager at the factory where my father worked when I was a small child (until the factory closed and moved overseas).  On one occasion, my father was apparently SHOWIN OUT (and let me attest to the fact that Pops can be good at THAT!) because his paycheck wasn’t accurate and significantly slighted.  When my father’s anger didn’t seem as if it could be “contained,” my uncle was called for assistance.  Uncle Bay, however, did not oblige and did not intervene: “if you want him to stop actin out, just pay the man.  Ain’t nuthin I can do for you.”  I know very few black folk like Uncle Bay.   Catering to white comfort, fearing white power, or being mesmerized by/chasing whiteness were never part of the game for him.  Uncle Bay did not try to placate my father or ask him to forego his righteous indignation and he did not try and explain/domesticate my father’s behavior to his white bosses who knew they were in the wrong.  “Just pay the man. Ain’t nuthin I can do for you.”  I think of Uncle Bay’s example in the context of my profession often. Time and time and time again (click here for an example), I have witnessed white men want/tell my black graduate students to tone down their anger and verbal forthrightness against the racism they have experienced as students and young faculty.  And yet NO single one of these white men has ever taken a stand against or spoken out against the racism these students encounter; they only want to make sure they can squash black students’ voices and keep the status quo exactly as it is.  Sense wiseness can keep you from being fooled into maintaining this kind of white dominance that works by silencing black folk and ignoring the wrong done to them.  Uncle Bay will always be my model in these instances.

There is a similar story about my Uncle Mac.  Apparently, one of the workers got caught doing something, no one really remembers, but everyone does remember that he accused Uncle Mac of ratting him out and being an Uncle Tom.  Now you have to understand that Uncle Mac is probably the quietest in my family but that quietness doesn’t mean he is going to tolerate disrespect… so Uncle Mac held the man at knifepoint and let him know what would happen the next time he came at him like that.   The man ran straight to Uncle Bay who, by that time, was a manager at this new factory where Uncle Mac worked.  Uncle Bay just told the man: Well, he didn’t cut you, did you?  You look alright.   Now some of the more bougsie types might cringe at the knife in this story, but I don’t have that issue.  The man got what he had coming: don’t dish out something you can’t take in return.  You don’t get sympathy and coddling when you choose to be stupid. Uncle Bay taught me that and he taught me that you don’t take the side of someone who is WRONG and disrespects your people, that’s not where you put your allegiance and you let them always know it too.  This goes for black folk who want to do wrong and then come at you sideways disrespectfully too— this is that real equal opportunity right here.  Sense wiseness doesn’t let you forsake real allies and loyalties.

nyansapo-wisdom-knot_design

Yes, I am using sense wiseness as a racial concept here.  If you have been told by every form of media that the darkness of your smooth skin, the thickness of your kinky curls, the fullness of your perfect lips, and the soul-stirring curves of your hips/thighs/backside are ALL WRONG, you need some hardcore sense wiseness to know these are lies and to see the beauty that everyone denies.  You need sense wiseness to know the truth behind a jury and judge of white women who say an unarmed black boy is a danger and should be killed.  You need sense wiseness to know that no, there’s nothing wrong with you when you see the white graduate students and faculty around you get support, nurture, and get-out-of-jail free-passes that you don’t. You need sense wiseness to know that your people are not unhuman, unlovable, unpretty even when the world suggests otherwise.   Every group does not have to cultivate sense wiseness like this; sense wiseness is what you need to counter dominance and power so those who represent that are not part of this counter-system.   Sense wiseness is what lets you question the dogma of a world that denigrates you and tries to control your thinking and action.  Certainly not all black people have it… and surviving this world won’t be easy for them.

My family taught me who to trust and who not to trust, who is real and who is domesticated. I know a white supremacist when I see one and I know someone who is acting in the service of white supremacy. I know what it means to be loyal and I know who my allegiances are reserved for.  I call all that sense wiseness and I am grateful for it.

Black Girlhood Stories: Outsmarting Every Fox!

Flossie-and-the-Fox-9780803702509One of my father’s closest friends is  the owner of the first black barbershop in my Ohio hometown where I grew up.  My cousin worked there as a cashier when I was little and always took me along with her. This is when my father’s friend would always tell me that the name of his shop was his actual, full name: Poor Clark’s.  As a little girl, I thought his first name was “Poor”, pronounced Po, and that his last name was “Clark.”   This was a fabrication that Mr. Clark actually upheld until I was old enough to figure it out for myself.  When I remind him of this, he laughs and agrees that this is a good first name, proud that he concocted such a story for me.  He also told me that he was born in a place so deep back there in the backwoods of Mississippi that they had to pipe sunshine in.  I believed every word of that also and had fanciful imaginations for how one might get sunshine through a very, very long pipe.  My cousins and family told me stories like this all of the time and I believed every word.  While I was arguably a very gullible, little girl, I certainly learned that you can make language and stories twist and turn at your will.  With these stories, however, also came expectations for how to live my life and understand myself.  I was expected to question everything, use a sharp level of common sense, value quick wit in language play, maneuver the world with a critical eye, know a lie when I hear one, not be the fool who gets fooled by smooth talk, look past what someone says to see who they really are, pay close attention to what people do rather than to what they verbally profess, not believe someone just because they proclaimed themselves superior/intelligent, refuse to see myself as too small/too weak/too insignificant to handle tough situations, not back down from something that intimidated me, and realize when I am being tricked, thwarted, or messed over.  I was expected to be there for my community and to be able to know to rely on myself—my intuition, my social perceptions, and my own political awareness. I see all of this now as a kind of black literacy skills-set, a black-girl skills-set even, a worthy one that I will always be honing.  This is why my favorite book has always been Flossie and the Fox.  Though this isn’t the book that officially kicked off my anti-princess campaign on this blog, it is THE book that changed my relationship to children’s literature and to the alternate universe it can offer for and about black children. The book is simply brilliant for the ways in which it not only revises the fairy tale, Little Red Riding Hood, but destroys it and makes it unutterable for little black girls.

Published in 1986 by Patricia McKissack and illustrated by Rachel Isadora, McKissack’s tale represents a story that was told to her by her grandfather while sitting on the front porch with her family during hot summer evenings in the South. This story does not begin with: Once upon a time.  Instead, Grandfather would open with a question: “Did I ever tell you about the time…”   Little black girls are active participants here as they become the both the moral and the message. Now this is a story you just have to hear.

Flossie iiFlossie Finley is a little girl from Tennessee who rushes to her grandmother’s side when she is called.  Big Mama is busy sorting peaches so Little Flossie must take a basket of fresh eggs over to Miz Viola because a sly fox has been scaring the hens.  Flossie tells Big Mama that she “disremembers” ever seeing a fox but Big Mama, after stopping to think for a minute, assures her this: “Chile, a fox be just a fox” and simply tells her to watch the eggs closely.  With that advice, Flossie is on her way to Miz  Viola, walking through the woods instead of using the road to stay cooler.  Sure enough, Flossie runs into the fox who asks her what her name is.  Just as polite as can be, Flossie gives the fox her name and tells him she doesn’t know his name either.  When he answers that he is Fox, Flossie lets him know she doesn’t believe him and soon after, he commences to prove his fox-ness to her.  And, from there, Flossie just shows her shine.  After all, a fox be just a fox.  That’s not something she can’t handle.

Fox is just beside himself that a little girl like Flossie doesn’t know who he is and is not scared of him and he tells her as much.  Flossie’s answer is classic: “you sho’ think a heap of yo’self” and then she just skips right along.  When she stops to rest by a tree, Fox comes along to offer her his proof: “I have thick, luxurious fur.”  Flossie iiiFlossie rubs on his fur and tells him flat-out: “feels like rabbit fur to me” and then accuses fox of trying to fool her. Fox is ticked off now and insists that she needs to recognize his fox-status and act accordingly.  It doesn’t work though.  “Unless you can show you a fox, I’ll not accord you nothing!”  and with that, Flossie gets at him, once again, and then skips along.

Flossie is thirsty now and so she stops to get some water at the brook. Fox comes out to her and asks her to notice his pointed nose and warns that this fact should be proof enough for her.  The dialogue here is just beautiful.

Flossie: Come to think of it, rats got a long pointed nose (then she snaps her fingers). That’s it! You a rat trying to pass yo’self off as a fox.

Fox: I beg your pardon.

Flossie: You can beg all you wanna.  That still don’t make you no fox.

Next in her travels, Flossie meets up with a tabby cat who she enlists in her discussion.  Fox asks Cat to speak up and assure Flossie that he is a fox.  Cat obliges by pointing out the details of Fox’s claws and yellow eyes. This does not deter Flossie either who pretends to be deep in thought and then says: “All due respect, Miz Cat, but both y’all got sharp claws and yellow eyes.  So… that don’t prove nothing ‘cep’n both y’all be cats.”  Fox now starts to plead about “this horrible situation” and again tries to offer her proof: this time, it is his bushy tail that he describes.  Not missing a beat, Flossie reminds him that squirrels have the same kind of tail.  When Fox offers his promise to Flossie that he is a fox, Flossie just lets him know that his promise won’t do.

FlossieBy this point in the story, Flossie can see Miz Viola’s house at the McCutchin place in the distance so she allows Fox one more chance.  He offers the evidence of his sharp teeth and ability to run exceedingly fast.”  Again, the dialogue is perfect:

Flossie: You know, it don’t make much difference what I think anymore.

Fox: What? Why?

Flossie: Cause there’s one of Mr. J.W. McCutchin’s hounds behind you.  He’s got sharp teeth and can run fast too. And, by the way, that hounds looking’, it’s all over for you!

The story ends with the fox running for his life and Flossie looking out at us, every egg in tow, with the biggest most beautiful smile, letting us know that she knew he was Fox all along.

~

Like I said, this was just not a story I could really summarize and my telling does the book very little justice here.  The story is just too perfect.  This is no Little Red Riding Hood: this is not a girl who is given one path/dictate that she must follow and then punished brutally for not following it, too naive and unaware to handle alternate worlds, ideas, and independence.  There is no woodsman to come and save the day.  Flossie is never even given a path, only a destination in relation to a much larger community than the nuclear family.  Like Stevie Wonder tells it, when you’re movin’ in the positive, the destination is the brightest star.  Flossie is trusted to get to the destination and is encouraged to believe in her ability to get there.  After all, Big Mama tells her before she even leaves that a fox ain’t all that. The Fox— i.e., the big, bad world— is never made bigger than Flossie and she never treats it as such.  She never once co-signs the Fox’s overdetermined beliefs in his own superiority and power and lets him know it at each step of the way. And she doesn’t need someone to come save her because she can save herself— with her sharp wit, intelligence, and ability to see things exactly as they are, knowing exactly who she is and where she is.  She is still innocent and pure in the way she interacts with the creatures on her travels but she is not so gullible and pathetic that she loses the ability to recognize a predator and handle him.  Not even the fox’s, lofty, high-faluting language is given any kind of social marker of intelligence, educated status, worth, or superiority.

I would go so far as to say that for a black girlchild, the knowledge/talent/wisdom that Flossie has are a life-and-death matter in a world dictated by white supremacy, patriarchy, and capitalism.  You will HAVE to be creative on that kind of path because the walkway will never be clear-cut.  The fact that a black grandfather would tell his grandchildren this story on the front porch speaks volumes to a black community’s full awareness of this kind of life-and-death matter and the ability to present it to children, not in self-defeating ways, but in life-affirming ways.  This grandfather knows that them silly princess fairy tales are not for his Flossie-girlchildren and he gives them something even BETTER from his own mouth and from his own word! Like I have kept saying here in this anti-princess campaign, we have always had alternatives.  And we have always had counter-rhetorical styles and counter-epistemologies that offer girls a role and vision of themselves beyond the exaltation of passivity, male dominance, and white femininity.