The Price(s) We Have Paid: Happy Juneteenth!

tpMy father and his closest friend, a man I call an uncle, discovered an easy way to save money: always wet your toilet paper and paper towels.  Apparently, once these rolls dry after you have wet them, they no longer roll as easily because ripples have been created.  This will slow down your roll, LITERALLY, if you take too much toilet paper when you are on the throne, for instance.  People use less paper products, the fewer paper products you need to buy, the more money you save: it’s all a vicious cycle.  I hover back and forth between two adjectives for this practice… CHEAP…and… RIDICULOUS.  It does, however, offer me endless opportunities for shit-talking with my father.  I could tell any array of such stories to convey how frugal my father is, but I hope this lumpy toilet paper saga will suffice.

Unlike some of my peers, I was never the type of child to be embarrassed by my father’s frugality, not even them $2 grocery store sneakers.  I think a lot of people could use the character building that comes from building a real sense of worth rather than buying labels as the sole sign of worth. Given the high price African Americans have had to pay for every advancement we have achieved (think back on the parents who sent their children into the terrordome of Central High School in 1957 Little Rock, Arkansas as just one example), paying yet another high price for something as insignificant as a clothing label seems, at best, redundant for us. Continue reading

Digital Labor, Race & Gender in the Academy

agendaThis fall, I taught a writing class where I introduced students to color as design and rhetoric, the CSS of their ePortfolio platform, and a rich text module (where they would write reflection on what they had done in the class and explain their visual design decisions). The agenda for that day of class was posted the night before, like every day of my teaching this year.  The “lesson plan” was hosted at my own ePortfolio so students could experience the text and weblinks on that platform.  There was also a 4-page handout, my personal worksheet and guide to CSS, all of which was followed by an exit slip as students left the lab.  Just a regular day of class really: tasks you need to complete, things you need to get done… with students who work hard to meet your expectations.  The pinch in the system on that day, however, came from an assigned observer of my class who claimed that no writing happened in the class and that I seemed unprepared for the day.  Yeah… you heard that right…UN-PRE-PARED.  So some 50 emails later and another 10 pages of 5th-grade-level explication of basic digital literacy practices in 21st century writing classrooms, I came to a crossroads where I DEEPLY understand the WORK of my digital labor… and the necessity that a black female professor always be able to PUBLICLY SHOW what she has done and what she can do. After all, it is difficult to make the case for unpreparedness if you have even casually perused the items that I list in just this blog post (unless, of course, you have NO clue how to work a web browser or google search).  It offers a digital visibility when an ideological imposition of invisibility tries to strike its ugly, white blows.  It won’t save or protect you, but it WILL throw a whole other kind of monkey-wrench in the mix, pun intended.

For each class that I taught this year, I created a class agenda that guided what we would do.  The agenda is meant as a guide rather than a script to keep me moving towards the goals and promises I have made on my course syllabus which is usually 12-15 pages long.  Each agenda for each day of my class is posted to the course website.

In addition to this website/blog, I have:

  1. a professional ePortfolio that archives all of my teaching, research, and service since I secured tenure two years ago now
  2. a wordpress site for my English 101 course (Public Writing, Rhetoric, and the 21st Century)
  3. a wordpress site for a class that I taught last year and hope to build as ongoing archive of black women’s rhetoric
  4. a weebly site for my English 201 course, Digital Rhetorics (with a companion weebly demo site as a skeleton for the websites that students create)
  5. two demo sites on digication as a skeleton for the ePortfolios that students create
  6. a website on digication for a series of workshops that I did for sophomores and transfer students designing digital resumes (with a companion weebly demo site as a skeleton for the websites that students create)
  7. a website on digication that explains the CSS of the platform
  8. a forthcoming website on digication for an honors seminar in writing and rhetoric that I will teach next year
  9. a website (not fully public yet) on digication for an online journal of first year students’ digital projects and essays (launched in fall 2013)
  10. a forthcoming online, undergraduate journal
  11. the beginning stages of a scribd account, youtube channel, and soundcloud account in order to upload media to my websites in different ways (I plan to create some apps and screencasts this summer also)

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Happy Mother’s Day to the Women Who Have Kept Me (re-posting)

mD2014Many already know that my mother lives with me now.  After she lost her job in the recession crunch, I had to do some financial wizardry and move her from Ohio to Brooklyn and become a new head-of-household of sorts (I have always been able to make a dollah outta 15cents but this took a little EXtra creativity).  As I get older, I realize that most of us daughters will be facing similar circumstances in caring for aging parents. My mother, however, does not consider herself aging so we go to a Jazz Brunch/Bar in Manhattan every Mother’s Day and by Jazz, I mean a real quartet that does covers like “All Blues” from Miles Davis’s Kind of Blue, NOT that Kenny-G-Twinkle-Twinkle foolishness.  It has only been in the last few years that I have even been in the same city as my mother on Mother’s Day so I figure we may as well go all out (which, for my mother, also means eating my dessert.)

"Fruit of Generosity" by Leslie Ansley (exhibited at the August Wilson Center for African American Culture in 2012)

“Fruit of Generosity” by Leslie Ansley (exhibited at the August Wilson Center for African American Culture in 2012)

I know Mother’s Day can be mostly a Hallmark invention, but I must admit that I like a day to put it all on pause for mothers. For me, that means all the women in my family who have raised me… which is a lot.  I have strong memories of being a little girl and various adults, especially my family and close neighbors, asking me: “who keep you when your momma work?”  OR “who keepin you right now?” (the second question was for when I was on a part of the block where I wasn’t supposed to be or at the corner store without permission). Who keep you?  That’s always been a favorite expression of mine.   Continue reading

“We are Not All Replaceable!” Hell Naw!

The things that you see on a New York City subway can sometimes defy the imagination.  I actually like public transportation (when it works, at least).  I grew up in a place where city buses came every half hour with routes that were not consistently accessible.  I  just can’t imagine living in a city like that ever again, I can’t imagine driving to get groceries, and I can’t imagine dealing with cars in rush hour traffic.  On the subway, you are with PEOPLE AND BODIES, not cars.

Both my walking to the subway and my ride on it often result in one verbal expression that I seem to never be able to control: OH HELL NAW, pronounced more like oh HAYelll naw.  It’s like a sneeze.  I don’t know when it’s coming and I can’t really stop it.  It just comes out of me and kinda sits there.  I can be walking to the subway and a cold wind slaps me in the face sumthin real disrespectful and I’ll just yell out: OH HELL NAW.  It’s really not intentional.  It just happens.

horse costumeA few years ago, my partner and I were riding the train and a man, lit up from the floor up, entered wearing a horse costume.  The horse head and body protruded about 2 feet in front of him, like an adult version of the child’s costume pictured here.   He shook his cup of change while walking through the train, singing “Oye Como Va” very loudly.  I’ll give him credit: he dropped it more like Tito Puente’s version than Carlos Santana’s re-mix.  Of course, I like both versions but nothing sounds like those mamba-style horns that Puente orchestrated, a sound the man re-created masterfully with just his voice:

Towards the end, the singer dropped that line, “Oye como va, mi ritmo/Bueno pa’ gozar, mulata,” and started dancing and moving the horse so that it looked like each of them was doing the butterfly (yes, the Reggae Dancehall version). I sat speechless… well, only at first. When he got to me, he directed his dance in my direction as if I were the woman/”mulata” chronicled in the song. I just couldn’t help myself and yelled out: OH HELL NAW.  My former partner gave him 20 dollars and so he sang and danced some more.  According to my partner, I just yelled OH HELL NAW even louder, a few more times, a comic moment this partner seems to never forget even though we are no longer together. Like I said, you can see some things you never imagined on a New York City subway train and these memories will stay with you.

subway carMost recently, I was leaving campus and going home when the double doors where I was entering the subway did not open.  Only one door worked.  At 6pm in New York City, at least 40-50 people are moving in and out of each set of double doors at the same time.  When only one works, it takes forever and you could miss the chance to board… and this was a day when I was tired, having left home at 7am, and just wanted to get home.  Obviously, I wasn’t alone in the sentiment because the sistah a few steps away and I yelled in unison: OH HAYELL NAW.  It was destined!

subway insideWe ended up standing next to each other the whole ride home (there were no seats left).  She is an administrative assistant at one of the posh law firms near my campus where they have cut all assistants’ vacations and overtime possibilities.  She starts work at 9:30am each day but arrives to her destination at 8:45am.  She goes to her favorite spot for tea and maybe a light sandwich each day, takes some quiet time for just herself to enjoy her tea, and then enters the hustle and high pressure setting in which she works.  Like her, I arrive to campus almost an hour before my classes, just for the quiet and the time to center who I am going to be and what I am going to do with my students for the day. I thoroughly enjoyed hearing about this woman’s mental and spiritual morning practice (yes, I consider the quietness that she gifts herself each day a spiritual practice). Apparently, her bosses/the lawyers learned of her ritual and started coming to her spot to discuss their ideas for new projects, etc. with her even though her work clock starts at 9:30.  Yes, you heard that right and can probably guess my automatic response: OH HELL NAW!  Faced with her new reality, she did what any self-respecting intelligent woman in high demand would do: found herself a new spot where them fools couldn’t find her! We shared many stories like this about work, disrespect, black women, and exploitation.  In fact, it seems safe to say that the conversation that I had with her was more politically charged and ideologically introspective than most conversations I have on college campuses and yet, these are the “critical theorists” who supposedly have some kind of deep knowledge.  Don’t think so!

We were so engrossed in conversation that she almost missed her stop.  I will always remember the conversation, especially her final salient point.  In the current economic climate, where black folk, once again, fare worst in unemployment rates, we can be bamboozled into a very dangerous party line: you are lucky to have a job, as if we have not been workin since slavery. When has luck ever worked in our favor with the jobs we have done in U.S. work history? The purpose of this party line is to scare you into thinking that you must simply accept whatever treatment gets thown your way, because, as the party line goes, there are countless others lined up for your job.  And while this latter point is true, them countless others cannot necessarily do the job that you do.  My train comrade reminded me that we need not be fools: “WE ARE NOT ALL REPLACEABLE,” recession or not.  Though her bosses are not required or culturally expected to acknowledge her worth and the work she does that keeps them afloat, she seems real clear about her contribution and value… and is sending out her resume as we speak.  I like to think of the look on them fools’ faces who take for granted that she will always do what they need. I imagine her each morning, at a quaint local coffee shop, gifting herself some quiet time, before she goes to a job where she is carrying everyone on her back, fully aware of her time and worth. It makes me smile.  Irreplaceable, indeed!