At the risk of situating #BlackLivesMatter as merely a trope when it is so much more and cannot be de-neutralized with endless spin-offs, I want to talk out loud/digitally about BLACK LANGUAGE MATTERS. I like MATTERS here as both a noun and a verb: 1) all of the attenuating political circumstances, past and present, around issues of language, meaning, and multiple Englishes; 2) all of the processes where Black Language carries the depth and resistance of Black suffering and resilience.
I start these conversations in my classrooms with a specific definition now— a definition inspired by an investigation initiated by my graduate students at the graduate center/CUNY and one of the classes I teach, African American Literacies and Education. Inspired by Elaine Richardson’s African American Literacies, my students and I worked to really define and anchor ourselves in race, culture, resistance, and African American languaging systems. It wasn’t easy.
For me, Steven Willis’s “Ebonic 101” gives me (in)sights and images to always keep in mind. Black Language is:

The presentations were a kind of acting/ singing/ music-playing extravaganza with every group member making speeches also. Each group was responsible for researching and presenting some central issue that galvanized black communities in this moment and had to use their talent to represent the depth of that galvanization. One young man, bless his heart, took the podium. It was obvious he had not prepared anything, but that did not stop him from talking. Before he finished his first sentence, one young woman started singing these words:

