In preparation for a group discussion about critical research methodologies in gender studies, I went back and looked at hours of footage from Rebecca Skloots, author of The Immortal Life of Henrietta Lacks, as well as other research about race, Black women, and medicine/science. I had been particularly inspired by Karla Holloway’s ability to relentlessly give Skloots DA BIZ’NESS for constructing a research study for mainstream audiences that, in fact, re-enacts violence against the Lacks family, a Black family who for the most part still live in abject poverty. Henrietta Lacks, known by the medical/science industry as HeLa, was a poor Black tobacco farmer whose cells were taken without her knowledge in 1951 for developing what we now know to be the vaccine for polio and the central tools for cloning, gene mapping, in vitro fertilization, and more. Her cells have made billions of dollars but her family, then and now, do not even have health insurance. Meanwhile Skloots enjoys the big dollars from Olympic-styled endorsements, media showings, and a New York Times bestseller. Despite her economic wealth, I wouldn’t ever want to be Skloots given the criticism, rightly deserved, that she has endured by formidable critics who link the central fetishization, exoticism, violence, and exploitation of her research/methodology to the kind of minstrel show we get on Bravo television when Black women’s bodies are the subject. Whew, so glad I ain’t Skloots! I wouldn’t even be able to wake up in the morning with a morsel of self-respect.
When White Violence Is “The Canon”
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