“You Were Meant to Be”: Rethinking Metacognitive Writing, Part 2 of 2

In a previous semester, I asked my students a question I wanted to hear their thoughts on.  They answered this question on their websites/ePortfolios as reflective essays: what was the best piece of writing that you did this schoolyear (in any class) and why do you call that your best?  The students’ answers astounded me, particularly the way in which those students most interested in social justice (and I mean social justice as a process and life commitment, not a graded school assignment) answered so fundamentally differently.

Those students who I would most call activist and conscious talked about what they learned about the world and themselves; how they had committed to social justice issues more than ever before; why they saw themselves as people who had creative and/or political agency to change the world, help their families, and/or write in a way that reached and impacted people. Some of them even wrote this final reflective essay as a letter to their mothers explaining their gratitude and respect or as a letter to a younger version of themselves explaining all that they would soon become if they could just survive that current, ugly moment.

sommersBut then there were those other students: “the good students.”  I was bored by them, quite honestly… and disgusted.  A large number of them, who had the same teacher the semester before, talked about assignments where the teacher changed every word, gave them a new research topic when the teacher did not like the topic they selected, told them what arguments to make in every sentence, changed a word almost every line, corrected every single mistake, drew arrows all over their papers showing them where each new paragraph and idea should go. Continue reading

Black Language Matters: Hell You Talmbout? (Back-to-School in 2015)

Screen Shot 2015-08-22 at 12.32.40 PMOn August 15, 2015, Janelle Monae and her Wondaland labelmates gave a free concert in Washington D.C. that was only advertised on social media. Before the show, Monae and the Wondaland crew led a rally through the streets of D.C. that included a stop at the Capital. The rallying song/chant represented her new song, “Hell You Talmbout,” dedicated to the Black Lives Matter Movement, freely available to anyone on Soundcloud.  On her instagram page, Monae explained the message of the song: she channels and records the pain of her people, her own political convictions, and a challenge to those who remain indifferent.  I’ve decided to use this song as the soundtrack of the homepage of my fall 2015 English 101 course to capture how we will approach writing.

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On this Juneteenth: Black Cultural Literacy in Times of Racial Warfare

At an event that I recently attended, a high school teacher at a prominent and privileged high school told a frightening story about her students.  Her students had read a novel in her class about a young woman who was raped.  During the class discussions, students analyzed the text beautifully, said all the right, erudite things; they even composed wonderful essayist prose interpreting the book.  However, surprisingly to the teacher, the students had a whole other conversation amongst themselves in the lounge/ common space: the victim of the rape was just a dumb whore as far as they were concerned.  Though the teacher was hopeful in regard to the promise of new curricular endeavors, I wonder what it means to teach folk whose violence lies in wait this way.

I am not saying that I have never heard students blame the victims of oppression.  Yes, I have.  All the time. That’s the nature of consciousness-raising in classrooms: help students see, understand, and dissect where these soul-crushing ideologies come from and fight those ideas back.  What I don’t experience much in my classrooms are my non-privileged students (who are the targets of oppression, not the voyeurs looking from afar at it) saying what I want them to say, performing what they think is a liberal, progressive discourse for my approval, and then publicly promoting violence elsewhere.  They just say what they think and work ev’ryone’s butt to the bone to try and convince them otherwise.

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R.I.P. for the Nine Massacred at Mother Emanuel

church“It is a great honor. The Church has a very proud history and has really stood for the spirit of African Americans and I would even say the spirit of America in Charleston since 1818, a spirit of defiance and standing up for what is right and what is true… Mother Emanuel, since 1818, has stood for freedom and worship for African Americans in South Carolina. And so it is a humbling privilege that I have to serve as the pastor.”

~ Words from the Late Senator and Reverend Clementa Pinckney from  the forthcoming documentary, The AME Movement: African Methodism in South Carolina