Trigger Warning: This Post is about Academia and Its “Professional” Conferencing

I am not a fan of the professional conference at this point in my life. Between the expensive hotels and registration fees and the mall-like spatial feel, it just ain’t for me. Ima blame this one of Robin Kelley though—- his piece about “Black Study, Black Struggle” still resonates with me, namely his poignant argument that universities are NOT engines of social transformation, never have been and never will.   If you agree with Kelley’s critiques about labor, race, and empire at the American university today, then you have no choice but agree that professional organizations— housed in neoliberalist, “non-profit” corporations that professionally organize and credential academics— are even less aligned with radical social thought and action.

ccccRegardless of whether or not you were in actual attendance, all compositonist-rhetoricians know that its major, professional organization— the Conference on College Composition and Communication, often called 4Cs (or the C’s by many black folk)— went down this past weekend. It is no secret that many folk of color feel marginalized by that space, despite decades of activism for inclusion born in 1960s and1970s Black Freedom struggles.  Quiet as it’s kept though, younger white scholars are making the same claims of marginalization everywhere that I meet them: fed up with an Old Guard who do not speak to them or to their needs, embarrassed by a new White Backlash, and unimpressed by uber-professionalized middle class comforts and happiness.  Many (not all) of the chairs who organize the yearly conferences have humanized that space in wonderful ways, but that doesn’t necessarily change the organization.  As a professor from a financially strapped city/public university with a heavy teaching load rather than an R1 with its comparatively unlimited funding and leisure time, the conference isn’t designed for me (given its gross expense and time commitment) or my students (given its white, middle class content) anyway.

Continue reading

The “White Turn” in Composition Studies

When I first tried to publish “ ‘This the ConscienceRebel’: Class Solidarity, Congregational Capital, and Discourse as Activism in the Writing of Black Female College Students,” I must admit that I was taken aback by white resistance in composition studies— the field to which I am most closely aligned by nature of the work that I do but certainly not by the nature of my politics , aesthetics, or pedagogies.  I was not surprised that the white editors saw the work— a text that focuses on working class Black female college students— as irrelevant to the wider field.  But, I must admit: I was surprised that it was Black female scholars in the field who gave the white editors rhetorical ammunition.

black womenIt was Black female reviewers who brought up the point that most professors reading the article would be white and have mostly white students and so would not be able to relate to the content.  Yes, you heard that right.  It was Black female professors who made that claim.  And I shouldn’t have to tell you that the white editors went to town on that right there. Besides the fact that it undermines all Black women when Black women see themselves as tangential to educational research, the idea that the majority of college writing classrooms today mostly enroll white, middle class students IS FALSE!  That’s not historically accurate and it certainly does not apply to an era where higher education gets browner and browner every year. Whiteness in this field gets maintained by scholars of color as much as it gets maintained by white scholars and it’s time we start talking about it.

Continue reading

What Will We Do When School Starts?

Ferguson 2A few weeks ago, I was on campus meeting with some students.  A conference was taking place at my college (which is located in the heart of Manhattan, New York). As is typical of area NYC colleges, you need to scan your identification card, where security is sitting nearby, to get into campus buildings. The security officers at my college happen to be our very own college students, mostly black and Latino men paying their way through college with this job, and are quite delightful. Because I was working with a small group of students, two of whom were not from my current college, I needed to inform campus security of the names of my visitors.  As I was waiting to talk with the security officer, a young African American man and rising senior at the college, I watched intently as he navigated the crowd coming into the building.  He was, simply put, quite genius.  The officer, as I am sure you can imagine, had many tasks: new first year students and their parents were finalizing financial aid and identification cards, all of whom need to be signed in; the conference attendees, obviously enthralled by the local neighborhood, had to be closely watched since they represented a continual thoroughfare through the gates; and then there were the current IDed students swiping through the gates.  I was particularly curious because most of the parents coming into the building spoke very little English and needed to be directed to their location. The young man quickly scanned their paperwork, animatedly offered a series of complex gestures showing them where to go, and then quickly ran to the side of the desk to make sure they were going in the right direction (accompanied by head nods and more hand gestures when the parents looked back at him). Needless to say, I was fascinated by this young man’s total immersion into and dexterity with this discourse community at the main entrance to the college.  In a brief (and very brief) lull, I managed to give the young man the names of the students who were coming to visit me.  He was very short and businesslike and then went back to his extra-linguistic traffic direction.  Perhaps, it was my fascination and my ethnographic mesmerization that made me slow on the uptake because I just wasn’t quick enough to respond to the next series of events.

i am a manAs I was talking to the African American male student working at the security desk at the main door, one of the conference attendees walked though gates opened from a previous entry.   The security officer reminded the attendee that he needed to show his conference badge before he entered.  While the officer was busy with more people coming through the gates, the attendee walked by me and loudly stated: “I showed you my badge, dude, but you were too busy flirting with the girl.”  I didn’t catch it right away. Continue reading

Digital Labor, Race & Gender in the Academy

agendaThis fall, I taught a writing class where I introduced students to color as design and rhetoric, the CSS of their ePortfolio platform, and a rich text module (where they would write reflection on what they had done in the class and explain their visual design decisions). The agenda for that day of class was posted the night before, like every day of my teaching this year.  The “lesson plan” was hosted at my own ePortfolio so students could experience the text and weblinks on that platform.  There was also a 4-page handout, my personal worksheet and guide to CSS, all of which was followed by an exit slip as students left the lab.  Just a regular day of class really: tasks you need to complete, things you need to get done… with students who work hard to meet your expectations.  The pinch in the system on that day, however, came from an assigned observer of my class who claimed that no writing happened in the class and that I seemed unprepared for the day.  Yeah… you heard that right…UN-PRE-PARED.  So some 50 emails later and another 10 pages of 5th-grade-level explication of basic digital literacy practices in 21st century writing classrooms, I came to a crossroads where I DEEPLY understand the WORK of my digital labor… and the necessity that a black female professor always be able to PUBLICLY SHOW what she has done and what she can do. After all, it is difficult to make the case for unpreparedness if you have even casually perused the items that I list in just this blog post (unless, of course, you have NO clue how to work a web browser or google search).  It offers a digital visibility when an ideological imposition of invisibility tries to strike its ugly, white blows.  It won’t save or protect you, but it WILL throw a whole other kind of monkey-wrench in the mix, pun intended.

For each class that I taught this year, I created a class agenda that guided what we would do.  The agenda is meant as a guide rather than a script to keep me moving towards the goals and promises I have made on my course syllabus which is usually 12-15 pages long.  Each agenda for each day of my class is posted to the course website.

In addition to this website/blog, I have:

  1. a professional ePortfolio that archives all of my teaching, research, and service since I secured tenure two years ago now
  2. a wordpress site for my English 101 course (Public Writing, Rhetoric, and the 21st Century)
  3. a wordpress site for a class that I taught last year and hope to build as ongoing archive of black women’s rhetoric
  4. a weebly site for my English 201 course, Digital Rhetorics (with a companion weebly demo site as a skeleton for the websites that students create)
  5. two demo sites on digication as a skeleton for the ePortfolios that students create
  6. a website on digication for a series of workshops that I did for sophomores and transfer students designing digital resumes (with a companion weebly demo site as a skeleton for the websites that students create)
  7. a website on digication that explains the CSS of the platform
  8. a forthcoming website on digication for an honors seminar in writing and rhetoric that I will teach next year
  9. a website (not fully public yet) on digication for an online journal of first year students’ digital projects and essays (launched in fall 2013)
  10. a forthcoming online, undergraduate journal
  11. the beginning stages of a scribd account, youtube channel, and soundcloud account in order to upload media to my websites in different ways (I plan to create some apps and screencasts this summer also)

Continue reading