I walk through the main entrance of my college’s main building each day. There are three entrance points for the public in this ten-story building. We don’t have many campus buildings; space is limited in NYC so we build up rather than out, giving a large body-traffic flow at this main building. This is my fourth semester teaching at my current college and, though this may be a strange observation, I have never entered or exited the building when the student in front of me did not hold the door open for me.
I noticed this pattern right away. It is something that I have never witnessed at any other university. It happens every single day. And, if I am standing on line, the students let me go first. I do not know any of these students, but they recognize me as a professor right away.
When I first tried to publish “ ‘This the ConscienceRebel’: Class Solidarity, Congregational Capital, and Discourse as Activism in the Writing of Black Female College Students,” I must admit that I was taken aback by white resistance in composition studies— the field to which I am most closely aligned by nature of the work that I do but certainly not by the nature of my politics , aesthetics, or pedagogies. I was not surprised that the white editors saw the work— a text that focuses on working class Black female college students— as irrelevant to the wider field. But, I must admit: I was surprised that it was Black female scholars in the field who gave the white editors rhetorical ammunition.
It was Black female reviewers who brought up the point that most professors reading the article would be white and have mostly white students and so would not be able to relate to the content. Yes, you heard that right. It was Black female professors who made that claim. And I shouldn’t have to tell you that the white editors went to town on that right there. Besides the fact that it undermines all Black women when Black women see themselves as tangential to educational research, the idea that the majority of college writing classrooms today mostly enroll white, middle class students IS FALSE! That’s not historically accurate and it certainly does not apply to an era where higher education gets browner and browner every year. Whiteness in this field gets maintained by scholars of color as much as it gets maintained by white scholars and it’s time we start talking about it.
One of the things I love about blogging is that it gives you a chance to use this experience/practice/process of writing to get closer to what you think and what is important to you. Granted, I am a writing teacher, so I may be biased, but sometimes you just gotta write it out to ride it out. That said, I get inundated with the academic school year and all I am writing are project guidelines and comments to student writing, rather than tracing the path of my thinking. Despite the avalanche of things I need to do, I just gotta stop and pause to reflect on one of the many things I have been following lately: Jennifer Cramblett’s lawsuit.
By now, everyone has heard of Cramblett’s lawsuit. As a recap, here is the basic gist. Cramblett and her partner are suing a Chicago-area sperm bank after she became pregnant with sperm donated by a black man instead of a white man she had picked. I can’t help but be curious to see how this case will go. Race, reproduction, and the law have always been intimately linked. As early feminists have always told us, the family (the nuclear family) is always a kind of surrogate for the nation-state and all of its attending politics and values about which race, gender, class is most worthy and most human— and therefore, legitimately replicable. I have so many questions because the outcome of this lawsuit will mean so many things. Here are just a few of these questions: Continue reading
Gentrification takes on new meanings when you live in Brooklyn/New York. The all-encompassing, rapid, commercial take-over is astounding. I moved into my Brooklyn home in 1998 after living in an apartment for five years. I was a public high school teacher with a savings account from the Municipal Bank, got a home loan through FHA, and moved into what we called back then, an “FHA neighborhood.” My down payment on my house cost less than the broker’s fee+lease agreement for most Brooklyn apartments back then. “FHA” meant that I got a fixer-upper in a neighborhood where I was once robbed by a crackhead— or rather, accosted, since the crackhead didn’t get anything off of me (as quiet as it’s kept in this world that treats crackheads like scary monsters, they are actually physically weak so, in other words, it doesn’t take too much to whup one’s ass which is exactly what I did). The crackheads that weren’t jacking wallets and purses were hookin on the street corner. Those days are long, long gone now though. A new 14-story high-rise dots every five blocks on the avenues. A typical 2-bedroom apartment (maybe 800 square feet) will run you $3500.00 right now. Needless to say, ain’t no crackheads in these parts today!
There are many places that give wonderful social, economic analyses of the calculated displacement of brown and black peoples in 21st century Brooklyn/New York (older, white residents still desperately try to hold on to rent-controlled apartments and get treated so much more sympathetically by NY media venues). That’s not what I want to talk about though. I want to talk about the thing that no one mentions in terms of gentrification in Brooklyn and all of these so-called improvements: the everyday aesthetic demise. Continue reading