Black Language Matters: Our Word is STILL Bond

With all of the different committee and administrative roles I have had in academia in the past 13 years, I have reviewed a whole LOTTA syllabi. Across multiple institutions and departments, the most dominant and lengthy prose that I have seen on these syllabi revolve around policy:

  • if and what you can eat and drink in the room
  • when and if you can go out and pee during class
  • when and if your mobile devices can be used or seen
  • how long your papers must be (with descriptions of their dullness— i.e., western styles of paragraphing, language, etc)
  • how to make headings on the page (usually of the bad 8th grade variety)
  • what happens if your body or your work is late or absent
  • who to call for this and that and when to call them
  • who to email for this and that and when to email them
  • numbers of all kindsa offices on campus, including the professor’s, and anyone else students can be pushed off on if they have life-difficulties (i.e., leave your personal problems at the door)
  • the horrors of plagiarism and the threats of what can happen
  • the campus’s cut-and-paste language/legalese around disability (rather than genuine care)
  • the department/program’s cut-and-paste list of learning objectives that a small group of faculty have gathered to write, usually for the purposes of assessment rather than a political investigation of what the hell we are teaching and how and why.

This bulleted list of PUREEEE boringness makes you wonder:  who would actually want to read this mess?  And what are students even learning?  And you know what is significantly short?  A discussion of the CONTENT STUDENTS ARE LEARNING!  In fact, if you look at most syllabi, what students are mostly learning is the particular college’s and the classroom’s disciplining of their body movements.  When you do get an actual course description, what you really see is the university’s neoliberalist discourse that appears in the course bulletin— more of a coded doctrine than any kind of readable prose because the course description is always really tight (in terms of words and characters allowed) and confined by the tastes and politics of the mostly white faculty who had to approve it.  In fact, if you took a good look at most college syllabi across the country, you’d be hard-pressed to argue that any real student learning is happening at all… or that words mean and do anything but CONTROL students’ bodies.

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Black Language Matters: Slick Mouths and the Fact of a Black Lexicon

Recently, I described a person in a (relative) position of power at a job as a woman with a real slick mouth.  This isn’t a compliment.  The loaded meanings of this term points to the reality of what a distinct Black Lexicon is and does.  Like I have said continually on this blog, Black Language Matters.

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Black Language Matters: Beginning with “Ebonics 101”

grammarlyAt the risk of situating #BlackLivesMatter as merely a trope when it is so much more and cannot be de-neutralized with endless spin-offs, I want to talk out loud/digitally about BLACK LANGUAGE MATTERS.  I like MATTERS here as both a noun and a verb: 1) all of the attenuating political circumstances, past and present, around issues of language, meaning, and multiple Englishes; 2) all of the processes where Black Language carries the depth and resistance of Black suffering and resilience.

I start these conversations in my classrooms with a specific definition now— a definition inspired by an investigation initiated by my graduate students at the graduate center/CUNY and one of the classes I teach, African American Literacies and Education.  Inspired by Elaine Richardson’s African American Literacies, my students and I worked to really define and anchor ourselves in race, culture, resistance, and African American languaging systems. It wasn’t easy.

For me, Steven Willis’s “Ebonic 101” gives me (in)sights and images to always keep in mind.  Black Language is:

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Black Language Matters: Hell You Talmbout? (Back-to-School in 2015)

Screen Shot 2015-08-22 at 12.32.40 PMOn August 15, 2015, Janelle Monae and her Wondaland labelmates gave a free concert in Washington D.C. that was only advertised on social media. Before the show, Monae and the Wondaland crew led a rally through the streets of D.C. that included a stop at the Capital. The rallying song/chant represented her new song, “Hell You Talmbout,” dedicated to the Black Lives Matter Movement, freely available to anyone on Soundcloud.  On her instagram page, Monae explained the message of the song: she channels and records the pain of her people, her own political convictions, and a challenge to those who remain indifferent.  I’ve decided to use this song as the soundtrack of the homepage of my fall 2015 English 101 course to capture how we will approach writing.

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