Public Writing/Public Teaching: A Year & Counting

Close-up from the collage that is used as background of this website

Close-up from the collage that is used as background of this website

A year ago now, I created this website.  I wanted a space to do the online work of my classrooms off the grid of a university’s corporate vibe— a space that would offer a more sonic and visually dynamic course organization.  For the most part, that is still the primary goal.  Blogging became the way to think through things and the public nature of this practice has meant that I actually do it, consistently, even if no one will read it.  Blogging feels like the teaching journals I once kept, back when I could actually write on paper.  I like the steady stream of short pieces rather than the longer, extended writing that I often do for publication.  It keeps me writing in the in-between time.  These are very simple practices in terms of the kind of work that happens in online spaces today but that’s where I am for now.

Other things happened though that I didn’t anticipate.  I began to articulate a very particular position on public writing and multimedia spaces where all that I know about the Black Radical Tradition and all that I disdain about neoliberalism began to converge.  That has been the single-most benefit to my thinking in the 21st century, a place where everything is digital and everything is commodified: from the continued hyper-spectacle-making of black bodies TO the new century versions of the socially networked Leave-It-To-Beaver family/nation.  Any conversation about digital spaces that does not include these levels of analysis is anti-political.

I use the term, “public,” very loosely though when I reference this site. I never even bothered to open the comments section because I don’t foresee anyone wanting to comment.  Couple that with spam and the many trolls who piss me off and the commenting feature becomes more irrelevant.  Only very recently, I finally did the necessary work to put the “follow” button on this site.  Like I said, “public” is a really generous adjective of this website: I ain’t the academic version of Tyler Perry’s Madea and we don’t live in a READING CULTURE, not even for academics, so I ain’t never been fooled into thinking any large group of people is really interested in me or my work.  It’s just me and my closest girlfriends really up in this.troll spray

What I did not anticipate, however, is that my students would visit me here at this site, like graduate students of color who KNOW they are not included in the intellectual organization of their programs given their experiences, interests, mouths, and proclivity against being white folks’s tokens and lackeys.  Those kind of folk in the academy are few and far in between… but the ONLY ONES who really matter to me!  White graduate students are also here with me, ones who want to actually think about racism rather than perform some kind of touchy-feel guilt or intellectual chic (those kind always go back to not noticing and, thereby, maintaining racism at the institutions that anoint them with degrees and tenure).  These students have been a pleasant surprise… I am honored that they are interested and are with me here.  Truly honored.  They make up the kind of academy worth being in.

WeCatertoWhiteTradeOnlyP260My international colleagues also embolden me.  I can see what countries visit each day and I can guess by the hits on a specific post who might be visiting that post.  What international comrades remind me, those who visit here and email me about my articles, is that internationalism is NOT the whiteness that white scholars in my field construct.   I have been told by editors, time and time again, that people outside of the U.S. will not understand my language and references.  It becomes clear from these people that blackness is to be consumed globally but not politicized; no one questions whether people outside the U.S. know Miles Davis or contemporary black musicians… but now, all of a sudden, no one understands our language and cultural references.  Black is International, no matter how much white scholars in my field would suggest otherwise and keep us out.

The "Touch My Hair Exhibit," was a blogpost/issue especially inspired by students!

The “Touch My Hair Exhibit,” was a blogpost/issue especially inspired by students!

I must say though that my undergraduate students have surprised me most.  I never imagined they would find this website interesting and would tune in so often to this blog, students who cut across the last 15 years of my college teaching.  They have changed the way that I think and the way that I write. I feel bolder now in what I say and how I will say it.  These students have always been more interested in social equality, social action, black feminisms, and radical thought than my colleagues.  I am reminded of a white-skinned Latina in my class recently who told me about a professor who proclaimed his shock at her heritage by saying out loud, “wow, I didn’t know you are a wetback.”  That departmental klansman didn’t even get a slap on the wrist but this young woman sure had one helluva critique of all the white men at that college who co-sign such violence.  We sat and talked for hours at a local coffee shop where we caught one another miscalculating the weight of the system we were in.  My former student was surprised that the departmental klansman actually copped to calling her a wetback when confronted; I assured her promptly— why wouldn’t he?  It’s his world right here, he knows he can do what he wants.  On the other hand, I was surprised that no minimal action was taken against him.  The student caught ME that time: why would he be punished?  This campus is his world, not ours.  Like I said, we talked for hours about our experiences, things I have NEVER discussed with a colleague in that space. Meanwhile, many colleagues in my field are too busy stroking their egos for being accepted at elite, privileged institutions and organizations that do not enroll or register many folk of color to even really notice what is happening to such racially subordinated masses in higher education; others just think the example I gave is an individual act of meanness, not the systemic racism they benefit from.  Buncha dumb-asses.

In this next year, I plan to write with undergraduate students even more clearly in mind.  If I write with the student in mind who I just described, my content and rhetoric will carry a whole different kind of momentum and weight in what Mecca Jamilah Sullivan has so brilliantly called “THE IMPOSSIBLE FUTURE” at the Feminist Wire.

As for more mundane goals, I also plan to vary some of my vocabulary here.  I tend to over-rely on the word, fool— I think this is a good word and keeps me from cussin too much but it can become redundant.  I have decided to take it Old Skool, maybe even borrow from Aunt Esther on “Sanford and Son” and diversify my vocabulary: old buzzard and jive turkey come immediately to mind. The terms, Klansmen and Grand Wizard (KKK terms), will become vital new additions and I already know who these terms fit best.  It’s gonna be a good year!

When White People Drop the N-Bomb

DeenBetween packing up my office, moving to a new university, and participating in the protests related to Trayvon Martin’s murder, I missed an important diss-able moment here: doggin out PAULA DEEN.

Black folk on twitter kept me afloat during that time and I’m not even on twitter.  And in case anyone was confused about this, yes, we are laughing AT Paula Deen, not with her.  Everything about her— her dishes, her health, her children, her Bubba— got publicly dissed on every social network site imaginable.  It was the most lovely way to treat a white supremacist.  The memes alone inspire deep pride for me. It made it that much easier to dismiss all those “liberals” saying black people were too sensitive or blowing things out of proportion. If my recent trip to Savannah, Georgia is any indication, then it seems safe to say that social networking brought down Deen: every time I passed a Paula Deen Tour Bus, it was E-M-P-T-Y!  Personally, I think all of those very public disses of Paula Deen should be a model for how we treat anyone who thinks we should dress as/be slaves, serve them sweet potato pie (and everything else), and/or maintain confusion about the N-bomb.  Descriptions of Deen’s racism are hardly over, including the ongoing testimonies of black women in the recent NYTimes who Deen exploited while thiefing their recipes and expertise as cooks.  It seems like Deen’s empire really was run like a plantation: the exploitation of black labor, ingenuity, and skill while she sat back, rich and fat, grinning for the public as if she had herself pioneered something.  A plantation, indeed.

Like I said, Black Twitter was a thing of beauty, but my heart goes out to AfricanoBoi who gave the best commentary on Paula Deen yet!  For all non-black folk, no, you can not laugh at this but you do get to hear how WE HEAR white supremacy.   For all black folk: yes, you can roll all over the floor and laugh your hearts away!!!  I know I still am.  Sometimes, laughing back and talking back go hand-in-hand because, given all that is coming to light about Deen’s labor practices, AfricanoBoi might not be exaggerating that much.

“The Unwritten Rules” Writes B(l)ack

I am not a regular watcher of RHOA, those Hip Hop minstrel shows (Flava of Love, Love and Hip Hop, T.I.& Tiny, et al), or any reality TV actually.  I have seen some of the episodes and have read other people’s commentary but that’s about it.  I didn’t watch weekly episodes of Scandal or even the Wire; I watched entire seasons all at once on Netflix after the hype.  I was usually disappointed.  I have, however, watched every episode of “The Unwritten Rules.”  “the Unwritten Rules” is a web-series based on the book, 40 Hours and an Unwritten Rule: The Diary of a N**ger, Negro, Colored, Black, African-American Woman, by Kim Williams, the executive producer and writer of the show. Each episode revolves around a young, black woman, Racey (Aasha Davis), and her life as the “Black Co-Worker” in a white workplace.  Last week’s episode, part of the new Season 2, may have been my favorite.

unwritten-rulesIn just one, rather short episode, there is a parody of the WWCW (white woman crying at work), the transracial adoption of (Madonna’s) African children, the attack on the head black official as a socialist, issues around black hair & discipline with white parenting, the difference in expectations of black female labor vs. white female labor, and the definition of white privilegitis… now this is TELEVISION, honey!  After Issa Rae’s success, an opening was created (inkSpotEntertainment and BlackandSexyTV are my favorites) for these shows and the hits seem to keep coming.

This is, by far, my favorite workplace comedy because the comedy actually depicts experiences that I can relate to and call my own.  For some of us, racial micro-agressions, institutional racism, and anti-black hostility are as everyday as taking a lunch break.  Isn’t it ironic then that for most of the television viewing of my life, these everyday realities have been relegated, at most, to a special episode?  For me, “the Unwritten Rules” also highlights how politically and ideologically bankrupt our requests for “representation” often are.  We constantly ask to see larger numbers of ourselves on film and television but that is meaningless unless our request also demands a sharp airing of the social and political issues that we face. This web series is a step in the right direction.

The Records We Leave Behind…

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Lynch Law in All Its Phases by Ida B. Wells

I would like to think that I am cognizant and critical of what Adolph Reed has called the tendency to romance Jim Crow where the nostalgia of a more settled, dignified black community often masks class inequalities and deep economic deprivation.  I understand his point and yet, I do believe that there were some political understandings in that moment that we just do not have now.  Poverty does not make you uncritical; but today’s consumer capitalism, media, mass/popular culture surely do.  Today, I am thinking about this in terms of the record we leave behind and how we understand the lives of children of color who are not our own.

The June 12 video at the youtube channel called AllThingsHarlem made me think of this because I see the filmmaker as a Red-Record-Keeper, as part of a historical black protest tradition (and obviously, by calling him a Red-Record-Keeper, I am referencing Ida B. Wells’s writing where she chronicled and protested lynch law).

For me, this kind of video is the best of what youtube and the digital universe have to offer me.  Because our digital world is market-driven under new regimes of capitalism and the individualist, neoliberal imperative, this kind of work at AllThingsHarlem is hardly the norm.

I see this Red-Record-Keeper doing something phenomenally different from what I see many folk of color doing online when it comes to youth: building a kind of digital resume of their children’s individual accomplishments and feats.  I understand that people live long distances from their extended families and share information online but I don’t get when these sites and images are open to the public, which is more normative than not.  And I don’t get when these children’s lives are being chronicled as triumphs of neoliberal accumulation instead of openings into the larger communities in which we come to understand ourselves.

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Crocodile Dundee and His Black Friend/Brother

I am reminded here of an acquaintance who pointed me in the direction of his friend, a scholar of color, who he continually INSISTED was a kind of third-world-radical, never really backing down from that position.  On the contrary, I saw this person as someone who was performing a kind of caricature of a radical-chic, never concealing how mesmerized by and covetous of whiteness they were, and claiming minority status only when it was convenient after almost a lifetime of passing as white— all of which are pretty common in academia.  Simply out of curiosity, I decided to do some google image and video searching.  I was convinced that this scholar would showcase all manner of white individualism in personal photos and videos online.  I was not wrong.  I typed in the scholar’s name and then, just one click in, there were photos of not-so-cute children (I am mean, I know, but I gotta be honest here), with one dressed as Crocodile Dundee and it was NOT even Halloween!!   That’s right: Halloween wasn’t even around the co’ner; this was a reg’lar excursion. I’m dead-serious. I really wouldn’t lie about something like this.  I couldn’t even make up something like this if I wanted to.  Yes, a “third world radical” calling their child the white male character in a horribly racist and colonialist film (I wouldn’t have actually known that the intention was for the child to look like Dundee but it was explicitly named and celebrated as such in the caption/title.)  Now, you would think my acquaintance would have mentioned or questioned this stuff since he certainly witnessed all of it way before I did and in much stronger doses (that one photo was all I could stand …I couldn’t even glance at all the foolishness captured on video).  Since all these folk proclaim themselves radical scholars, they must think that the very real nooses around black people’s necks in Wells’s The Red Record were simply a theoretical metaphor. And KRS-One’s words about police brutality must also just be more metaphor, just a background song on the video above, all while black and Latin@ children are routinely violated just on their way to school in NYC.  This very real violence is simply not part of your politics when you are digitally celebrating your children’s visual proximity to Crocodile Dundee with a peanut gallery of folk of color proclaiming and co-signing this as “radical” consciousness.

Crocodile Dundee and His Other Black Friend

Crocodile Dundee and His Other Black Friend/Brother

Even if this child wasn’t made into the Dundee-Lookalike-Extraordinaire, I would still have questions about this kind of objectification of children’s bodies in a digital universe where all children can now publicly dance, sing, and perform like Little Shirley Temples for the empire’s cameras. Be clear: I am NOT talking about recording and keepsaking children’s wonderful spontaneous moments, school events, sports, or community functions; I am talking about grown folk who deliberately create digital spectacles from children’s orchestrated, pre-rehearsed performances in a living room.  In this world, of course, the Dundees, though ridiculously exploited, still come out on top because not all children/commodities have good stock value; some can be discarded like the ones caught on the film above. Cameras can amazingly reveal what we really see and value in the world.

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When a Black Man is NOT Dundee’s Friend!

I know this Dundee narrative seems like a crazy detour but it is an example of why I am so drawn to people who do the kind of digital work that you see in the youtube video that I have highlighted at the top.  This brotha is not someone who will only construct, notice, and chronicle the individualist accumulations of biological offspring.  Maybe it’s because he’s not the academy’s typical critical theorist who is reading books about radical thought but never actually thinking and doing any of it.  For him, radical ideas are NOT something that you do for university approval while you live the rest of your life as an imperialist.  Adolph Reed hit this best for me when he says such intellectuals are sealed “hermetically into the university so that oppositional politics becomes little more than a pose livening up the march through the tenure ranks. In this context the notion of radicalism is increasingly removed from critique and substantive action. Disconnected from positive social action, radical imagery is also cut loose from standards of success or failure; it becomes a mere stance, the intellectual equivalent of a photo-op.”

I hope to pay more attention to these kinds of Red-Record-Keepers today. I am grateful to my special sistafriends, real maroons, committed allies, and genuine colleagues who will challenge me if I start forgetting or slippin on that kind of work.  Otherwise, history will look back on we “radical scholars of color” who did nothing but act as neoliberal individualists who digitally chronicled, celebrated, and defended ourselves/our children/Crocodile Dundee for accumulation of white capital.