About Carmen Kynard

Carmen Kynard is Lillian Radford Chair in Rhetoric and Composition at Texas Christian University. Her award-wining research, teaching, and scholarship interrogate anti-colonialism, Black feminist pedagogies, and Black cultures/languages.

Same Rats, New Holes: A Story of the New Digital Divide

There are some things that you just never forget.  Your first day as a teacher is one of them.  My first day was in a junior high school in the South Bronx which was then (and now) the poorest congressional district in the country.  I taught in what was considered the “worst district” in the Bronx in the “worst” middle school.  It was the bottom of the bottom of the bottom, or so they said.

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That First Day

hole 3My first day was staff development day.  I had to attend various sessions like everyone else but, as the new teacher that year, I also had to pick up my keys and set up my classroom.  As soon as I opened the classroom door, a rat the size of a terrier dog ran across the room and behind the coat closet. I was horrified (I don’t do rodents, insects, OR snakes!) but for some reason, I didn’t flinch.  I moved the coat closet and saw a hole the size of a dinner platter in the wall.  I went outside to the public pay phone, called my father to ask him the easiest way to plug up a hole in the wall (without needing sheetrock), went to the local hardware store, and bought steel wool, chicken wire, and plaster (I also bought roach spray since I have always seen roaches and rats travel in pairs).  The local hardware store owner did not recognize me and so I introduced myself and my dilemma.  He gave me a 50% discount on the materials and so I went back to my classroom and plugged holes.  I had seen enough at my interview and the “teacher development” sessions to know that no one there would help or care.hole 1

After fixing holes in the walls, I started arranging students’ desks. My classroom was huge which I always like— it gives you more room to decorate: a science wall, a graf writing wall, a memoir wall, a history corner, a library with bean bags.  There was room for ALL of that!  I was ecstatic.  There was a problem though.  My roster of sixth graders who I would first see indicated 36 students.  I only had 29 desks/chairs.  I was, however, assured by the administration: “these students don’t come to school, you won’t need more chairs.”  Sensing that the parents in the district didn’t trust us, I did what I saw and heard white suburban teachers do before school started.  I called every home and introduced myself to whatever adult was taking care of the child on my roster.  I told another teacher of my feat and she told me that I was crazy.  I never made the mistake of telling her or her crew anything again.

This story I tell might sound like one of those Hollywood movies that pathologizes students of color in the hood and enshrines whiteness, but those stories get nothing right.  I witnessed the violence inflicted on those students not as a white and/or privileged teacher driving in from her “safe” neighborhood with no real connections to or life experiences in communities of color; I experienced that violence alongside those kids, right on that first day of school, all because I needed 7 more seats in my classroom.

The Number 7

There was still time before school started, so I worked on my classroom each and every moment that the school building was open before the kids officially began. No one thought I needed more desks and chairs but since I insisted on making this request, I was told to go down to the second floor (classrooms were on floors 3-5) where there were extra desks and chairs lined up along the walls. I could get some exercise or put in a work-order that would take 1-2 weeks to fulfill, despite the fact that students were starting in less than 72 hours!

On one of my trips to this second floor, a white female administrator of some sort appeared.  I no longer remember her title, just her face.  She was yelling obscenities, but I really didn’t pay her any attention because I had stuff to do: I was carrying 7 chairs and 7 desks up and down a flight of stairs to my third floor classroom.  As I was surveying the desk in front of me (did it wobble, could it be cleaned, etc), I realized she was yelling at me, screaming that I had better be gone by the time she reached me and the desks. I stepped away from the desks, asked her who the F–K she thought she was talkin to, promising her that I would stand right there and wait for her.  She walked towards me very menacingly and I was ready for her, just like I was ready for that rat that I holed up.  The newly appointed dean happened to see what was going down and raced over to us, yelling at this white woman: “she’s the new teacher, she’s the new teacher, leave her alone.”  She looked confused and then just started laughing: “I thought you were one of the students.  You don’t look a day past 16.”  I wasn’t laughing though.  Why on earth would any 16 year-old child in the South Bronx break into a school building (all doors were locked and only teachers were buzzed in) and steal them raggedy desks and busted chairs?  And, more importantly, what on earth gave her the right to think she should and could talk to any child in this school or any part of the neighborhood this way?  I said as much to her, insisting she had hit a lucky strike with the dean saving her from what she had coming.  I was simply regarded as too sensitive and offensive— a kind of over-reactionary, Black Nationalist-styled militant.  My credentials, abilities, skills never mattered there… I looked like the people in the neighborhood, I AM the people in that neighborhood, and was criminalized alongside them.  Sensitive and offensive?  So those were the new words for us, huh?

Same Rats, New Holes

7 is a number I will always remember, not simply because of the desk situation, but because all 36 of my students showed up.

All I ever heard in that building was what the students could not or should not do.  If it wasn’t one thing, it was another: their k-5 schools had been so horrible that they needed drills and drills ONLY; these kids didn’t value books so you should use textbooks/basals, not novels; these kids weren’t ready for project-based learning because they needed the basics; writing process theory and every other progressive educational theory (no one could actually articulate any of that though) was for suburban kids, because these kids only needed grammar worksheets; these kids couldn’t go on field trips because parents wouldn’t chaperone and/or they wouldn’t behave; these kids couldn’t learn about activist movements, social justice, or cultures/histories/languages of communities of color because they needed to see the “classics,” not themselves and the people in their neighborhoods.

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I stayed most close to the Black and Puerto Rican teachers who were doing transformative stuff in their teaching and made sure not to let the main folk in that building know too much about me, what I do, or how I do it.  I knew how all that white paternalism and racist pathology targeted my students and me and I wanted no proximity to it.  My students did ALL of the things that they were not supposed to do. When the school year started, my 6th graders had tested as the bottom class; when it ended, they were the top… without a worksheet or drill in sight.  My only regret is that I can’t go back in time: I would do even MORE of the things we weren’t supposed to do.

holes 4Now some 21 years later, I wish I could say that things look different in my life as a college teacher, but they don’t.  Not at all. The only thing that is new is the way that our newest technologies figure into just another one of them things that racially subordinated, working class/working poor students supposedly should not and cannot do.  Same rats, new holes.

The Current Divide: Savage Inequalities Continued…

In the 1990s, we talked about the Digital Divide as barriers to computer and technology access.  Today, that talk has shifted to differences in kinds of access.  Latin@s, for instance, lead the US embrace of mobile devices and African Americans lead the US embrace of Twitter.  You’d be lying to yourself if you saw these groups on the fringe of new technologies and digital living.

I don’t mean to suggest that issues of access are not still prevalent. We know that fewer black and Latin@ students have broadband in their homes in comparison to white students, though the use of mobile phones begins to equalize this.  Talented and committed teachers, however, have been using Facebook and platforms like teachers.io (which helps you make a homework app for your classes) to communicate with their mobile-savvy students.  Principals in urban city-centers have teamed with companies to provide students with laptops.  By 2000, we already saw Apple partnering with elementary schools in impoverished neighborhoods to provide students with laptops.  Apple seems to eat this up since they can attract a new, young generation to Apple products.  I counted 4-5 students in each of my three writing classes this fall whose high schools had exactly such a program. I suspect that number will continue to grow with each entering college freshman class.

The Digital Divide, as I experience it, has to do with how teachers and institutions postpone or altogether reject complex and/or current digital work for racially/economically subordinated groups.  Once again, we have the thing that “these kids” can’t and shouldn’t do.  Since they don’t have the “basic skills,” we need to give them that first and, coincidentally, all the time spent on them basic skills means they will never get beyond such levels of minimal competency.  This is not simply my sense of things, but things said explicitly to me just this past school year.  Like I said: same rats, new holes.

If it THIS threatening when students of color do CULTURALLY RELEVANT and sophisticated digital work in their 21st century classrooms, then you know it’s the right thing to do!  If that means I am being sensitive and offensive all over again, then so be it.

When History Weighs In…

History gives us some important lessons here.  I take us back to public higher education in the South, an outcome of Reconstruction, with the Morrill Land Grants Act first initiated in 1862 that awarded each state land-grants for higher education (at this time in history, African Americans mostly lived in the south).  Black citizens formed part of the population base that was used to create the monetary formula for Morrill benefits. Each of the fourteen former slaveholding states established a black land grant college (the only colleges that Blacks were allowed to attend) that, in turn, made the state eligible for more grants.  By 1900, the expenditures to white colleges exceeded those for black ones by a ratio of 26:1. This calculated impoverishment of the colleges black students attended didn’t stop there though.  Black colleges weren’t allowed to use their funds to do liberal arts curricula; only white colleges could do that. Historical hindsight lets us see how wrong this was (well, it lets some of US see how wrong this was) but, at the time, the philosophers, theorists, scholars, and educators had a lofty discourse to justify these savage inequalities in access and opportunity: blacks needed basic skills to enter this unequal world; black students were too far behind in their educational access to catch up to white students’ college curriculum.

It should not take a huge leap to question this stated goal of offering blacks an equal education when procedures and curricular offerings deliberately prevented black college students from receiving the education that white students got.  If that is obvious to us, then it seems we would question any person or system that uses these same rhetorics to deny access to our era’s newest educational technologies.

Many have made the tragic mistake of assuming that what the white officials saw and recorded when they came to visit these black classrooms funded through Morrill was what happened everyday.The Black teachers who were interested in social transformation had sophisticated political understandings into the criminal underfunding of their land-grant colleges.  They critically understood that the ban on liberal arts curricula for black students was not for the purpose of learning but for the purpose of maintaining a racialized economic system under white supremacy.  Despite the dangers and threats cast against them, they DID SOCIALLY TRANSFORMATIVE CURRICULUM AND INSTRUCTION ANYWAY!

Digital technologies are/will be the new battle for a progressive, transformative education for students of color. Like those black teachers more than 100 years ago who defied the white power structures that sought to miseducate their communities, we can stand on the right side of history too!

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… learning western technology must not be the end of our understanding of the particular discipline we’re involved in. Most of that west shaped information is like mud and sand when you’re panning for gold!

The actual beginnings of our expression are post Western (just as they certainly are pre-western). It is only necessary that we arm ourselves with complete self knowledge; the whole technology (which is after all just expression of who ever) will change to reflect the essence of a freed people…

See everything fresh and “without form”–then make forms that will express us truthfully and totally and by this certainly free us eventually…

~Amir Baraka, “Technology & Ethos”

Big Mac, the Heart of Whiteness, and Composition Studies

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I recently spent a good deal of time reading the last year’s issues of one of the prominent journals in my field, rhetoric-composition studies, and found myself unpleasantly surprised.  There was, of course, the usual error in representation of a black student, in this case an adult returning student whose vocabulary of her writing process was described as simplistic (the researcher did not culturally interrogate the student’s vocabulary) while a white male adult student was described as sophisticated.  I wasn’t surprised by that, however.  It certainly wouldn’t be the first time a white researcher called us simple and it won’t be the last time either.  I was a bit taken back, however, to see two articles in the same year about ONE writing program.

Since we are talking about 16 articles for the whole year of the journal, two articles, not just about the same college or from researchers at the same college, BUT two articles about the SAME PROGRAM accounts for more than 10% of the year’s content.  I am not an editor and never want to be since it is excruciatingly arduous work.  My problem here is with the school in focus and with how the editors of my field understand, in contrast, colleges that serve working class students of color.  And since these editors were selected “democratically” by peers in the field and articles are peer-reviewed, these editorial choices cannot be regarded as merely individual phenomenon.

hithereI have always worked at schools that serve large or ONLY serve working class, first-generation, working, and/or racially marginalized students. And for as long as I have worked there, I have gotten editorial and peer responses across the board that question how THAT student population, or how the university where I work, is relevant to the kind of classrooms most compositionists see— white middle class kids.  The problem is that this is a lie.  White, middle-classness is not what MOST colleges and universities today look like and it is not going in that direction either.  This is merely a white myth that the field maintains as part of its possessive investment in whiteness, to riff off of George Lipsitz.  Given the activism, widespread outrage, and speak-out against our current student debt crisis, it is unfathomable to me that we are so ahistorical and still choose to see colleges and universities as the sole bastion of the elite.   Casting today’s college student population as white and middle class serves political and ideological needs, not statistical needs, and does the work of maintaining existing white social networks (see Robert Jensen here).

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This university writing program that saw two articles in one year simply isn’t relatable to the kinds of universities where most of us work so why the need to keep casting such spaces as the model?  Let me break it down.  I won’t name this university, I’ll just call it MidWest Big Mac, so as not to retract from my larger focus.  Midwest Big Mac is a selective public university, a very large research-extensive university.  Only them 1 or 2 flagship state universities across the country can relate to THAT!  So, off the bat, we are talking about 60-80 colleges and universities.  That’s just NOT where the majority of us teach.  In the past ten years, 4.7% of the undergrad student population at Midwest Big Mac has been black, 4.4% Latin@, and 0.2% Native American.   If you are at a school that is trying to keep its demographics in keeping with the national demographic or a school whose population reflects a local or historical population, you cannot relate to this school.  25% of admitted students had a 4.0 high school GPA and most of the students scored above 1700 on their SAT.  97% attend full time with their first year retention rates at 96%. Given the conferences and consultants who are all focused on the singular experience of the first-year experience and general retention, these statistics put you in the elite ranks, not the common ranks.

At 26K tuition per year with room and board, Midwest Big Mac will cost a family/student at least 100K by the time of graduation.  Even if that is relatable to many universities in the country, here is something that won’t be. With an endowment of $8.4 BILLION at the end of the 2013 fiscal year, MidWest Big Mac does not seem to feel the effects of the recession.  It is the second-largest endowment in the nation among public universities and the seventh-largest among all U.S. universities.  Only 6 other colleges can relate to you, MidWest Big Mac!  And yet the premier journal in my field constructs this location as the predominant college composition experience.  If you were ever wondering how a discipline maintains its whiteness or how educators maintain a system that is completely non-responsive to non-white, non-middle class, non-elite peoples, I encourage you to  think of this example.

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Witness to the Archive

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From One Black Home…

Since my father (unlike many of my OTHER family members) does not read this blog or any blog and hates the internet, I can tell all his biz’ness here with impunity.  I will use him here to think about digital archiving and its implications for my classroom.

DuctWorkAs I seem to always stress, my father’s working class status and disposition have never meant intimidation or lack of confidence, as many seem to associate with working class folk of color.  As a heating and A/C specialist, he works in many homes/churches/companies to install heating ducts, central air, etc.  If it has a motor, engine, or some such, he can fix it …BUT if you start telling him what he should do when it is obvious that you have NO knowledge or scientific background with the task at hand, he will nod, tell you to do it yo-damn-self since you know so much, pack up his stuff, and walk right back out the door. If you can’t see that he has knowledge and a skillset that you NEED and do NOT have, he ain’t dealin with you.  Ever. If you don’t know how to talk or respect someone like him, well then he ain’t gon give you the time of day.  He will watch you freeze to death, quite literally, without a morsel of regret.  It should go without saying: I think this is one of my father’s greatest attributes. I aspire to be like him each and every day!

And this is where technology comes in.  Just so he won’t forget your dumb behind, my father will add you to his archive, a routinely UPDATED database (names and all possible phone numbers) of people who shouldn’t get any answer when they call. He prints these out and posts them by the phone and at other strategic locations. He has other uses for technology like keeping up with sports stats and staying in touch with his 14 brothers and sisters, but maintaining his database is a main priority. I love to dig through the database rather than just read the posted lists because it gives so much more detail.  I am wildly entertained by the new names and the things folk have pissed off my father about.  I even like to issue warnings: “watch out now— you bout to get on the list.”  Hours of entertainment right there!  I don’t have a database like my father’s, but these days, I am certainly considering it and have plenty names and attributes ready.

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…to Other Black Homes

aretha-franklin-ebony-2As a child, I often went on jobs with my father.  Yes, I enjoyed when he would get mad and leave because, then, I could do my special dance on the walk to car: a bop to match our walk, quick pause every now-and-then for an “in yo face” side-to-side head bap, and then bop to the car door some more.  On the occasions where we stayed, I loved that too. I got to sit down and read Ebony, Essence, and Jet magazines and, since I was appreciative of the content, I was always given access to the stash of back issues that were always stored somewhere close by.  No one threw these out— they were archived as data of our lives.  And, yes, I consider these archives, NOT collections, ones that were freely accessible.  What was the point of collecting black wisdom if you weren’t going to share it?  I loved flipping through the well-worn pages and seeing which articles were the most read.  That’s where I would sink in.  Of course, those times do not match the politics of these magazines now, but they once offered dynamic polemics of and representations into black life.jet-1960-08-25

With every fix-it job that my father did, I was immersed in some kind of an archive.  It is a memory that I would like to carry with me as I imagine how to re-frame the annotated bibliography that is part of the freshman comp curriculum in my program.  While the digital component of my assignment was clear enough (students had to create e-pages for different kinds of websites, articles, videos, etc), I didn’t make the scope and purpose critical enough.  Archives help you live your daily life; they are not just the purview of privileged digital scholars who use the newest tools to (re)center the same white actors of history and aesthetics.  I needed to offer my students the opportunity to create their own archive of knowing and I needed to allow them more control of what that should look like and do.  Once again, it is a black framework that gives me this new approach and disposition.  I am never without a model in this newly technologically automated world, even for alternative archives.

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Self-Determined: The Final Four

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Since Cyber Monday, I have been on a quest to find children’s book that positively reflect Christmas in the context of African American cultures, children, and families.  It started out rough but ended well. 

Since today is officially the second day of Kwanzaa, the day of Kujichagulia (self-determination)— my favorite of the Nguzo Saba–– it  seems appropriate to share my other favorite books from my Cyber Monday adventure today.

Addy’s Surprise

ASI have never followed the American Girl series.  I think it’s because of those scary-lookin dolls that they sell. I knew of Addy’s Stories but have never followed the work of Connie Porter.  That changed this Cyber Monday as I began to take a closer look at the series, especially the one that focuses on Christmas, Addy’s Surprise.  I love the way the little girl and her mother are described in the cold winter of Philadelphia, as well as Addy’s concern for her family who is still enslaved.  Christmas here is, obviously, not about toys and things, but all about the passions and joy of memory and care.  I have not finished the entire series yet, but plan to do so.

Waiting for Christmas

waitingThis is a beautifully illustrated book by Jan Spivey Gilchrist and written by Monica Greenfield (daughter of noted author, Eloise Greenfield). It is the poem-story of a brother and sister on the days and nights before Christmas: playing in the snow, sitting with family at the fireplace, decorating a tree, and finally being able to wish everyone a merry day.  I enjoyed the short poem-story in its brilliant simplicity along with the beautiful renderings of this sweet little boy and girl.

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Mim’s Christmas Jam

MimThe name, Pinkney, looms large in African American children’s literature. Jerry Pinkney, noted watercolor artist/illustrator, is the father of Brian Pinkney, whose dynamic use of scratchboard has become his own signature style in children’s literature.  Andrea, an editor-writer, and Brian married and have created a virtual canon of children’s literature.  Mim”s Christmas Jam is one noted example. The story begins with a young brother and sister, Saraleen and Royce, fondly remembering their Christmas traditions with their father who will not be with them to celebrate.  Their father must work in New York City to build the subway, rough and dangerous work that offers no vacation.  They send their father his favorite treat in the world, their mother’s special Christmas jam (a recipe is included in the book).  The jam is so sweet that even their father’s bosses are inclined to give workers the day off for Christmas and with that, Saraleen and Royce, receive their Christmas wish: the return of their father.

Christmas Makes Me Think

christmas-makes-me-think-tony-medina-coverLast, but not least, is Tony Medina’s Christmas Makes Me Think. Medina captures the way a little boy experiences all of the wonders of Christmas: the joys and contradictions.  The little boy, the narrator and source of consciousness, offers a compelling viewpoint.  He cherishes helping his grandmother bake a chocolate cake and seeing the tree and presents in his home.  But he also questions the desire to cut down trees and kill animals to serve on the table.  As he thinks about new gifts and the things he already has, he wants us to notice the homeless and poor who have nothing while he has excess.  Christmas makes him think… about other people, not just himself.  It is a wonderful message told from the voice of a young black boy who is one of the most believable characters I have seen!

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